this is so relaxing.
this is so relaxing.
Awesome, relaxing and beautiful <3
Thank you. <3
I think this song is very very nice, I like to very quiet and sombre feel to it, the piano really amplifies the mood and the lyrics are very very well written.
I had an idea for how a level could work in Geometry Dash (very slow and dark) but it seems It's not available to use right now, but I really really like this song and what you did with it!
Chillius, I didn't enable external API *yet* on this song. I'd like to know how it'd work, how sombre it could be. I guess I could enable it if it means it allows you folks to experiment on it. In fact, I'll do it right now.
Glad you really like the song. <3
Hey Troisnyx! I'm gonna use this song in Geometry Dash! ( ͡° ͜ʖ ͡°)
For real this song is pretty good for something non-wubs and weebs.
Oh my, I am flattered. If you do, PLEASE PLEASE PLEASE make it a sombre level. PM me more about it and I might just enable external API, if you tell me what you have in mind.
EDIT: External API has been enabled. See how you do with this thing.
There is a careful balance to strike in this sort of piece. It's exceptionally difficult to hit - it's a very small target from a very great distance. People are predisposed to pop-music. Something like this has to be accompanied by a rich narrative in order to be appreciated. It feels like a cultural song, displaying some sort of history...if that history is false, the song loses value. If that false history is attached to some sort of game or other pop-culture phenomena, it may gain value by being appreciators of that world.
There are tiny, minute details which...ruin this piece. I thought the song was over around 1:12.
It's gorgeous, compositionally. I cannot possibly fault either of you in anyway for what this piece is SUPPOSED to be. It's excellently assembled and performed, up to a point. I feel like the vocals are distant, almost prescient-in-the-past. I suppose that might be desirable, but...it also obfuscates what's being said. But also that mock-snare which presents itself first at the end of 02:25...should not be there at all...ever...I'm sorry if this offends you, but that is like...being in a doctor's office with 15 other people, and out of the blue soemone shout's "FUCK!"....and you're left sitting there, thinking...what just happened? And everytime it comes back, it's like a slap in the face...like walking through a crowd of people and there's a dude outside of your sight that's just yelling "FUCK" every once in a while...it's totally out of the mix of the rest of the song...where did that thing come from? I feel the song would be much better without it altogether...
Very spot-on, and I thank you -- it gives words to many of the niggling concerns about this song that I and others have. The percussion out in the end isn't fitting, the reverb is too heavy, the lead is drowned out, and I understand what you are getting at with that illustration about the doctor's office. :P Offensively hilarious, but point very well understood.
Insofar as the veracity of the content, it is true, but on a personal level with people who are fleeing their homes. So yeah, I guess that was my motivation to put it under "Other - World" -- as a cultural lament. Couldn't find anything else to put it under, and there was very little in the way of folk instrumentation apart from a cobbled-together tin whistle sample. ^_^'
Please contact me if you would like to use this in a project. We can discuss the details.