00:00
00:00
Newgrounds Background Image Theme

Ryor just joined the crew!

We need you on the team, too.

Support Newgrounds and get tons of perks for just $2.99!

Create a Free Account and then..

Become a Supporter!

grotte sous-marine

Share

Author Comments

Now with its own associated lyrics video:

https://www.youtube.com/watch?v=YrFRF_OazZE


Hey everyone, Troisnyx writing. This is a collaboration between Phyrnna, Epic Battle Fantasy 5 translation staff member Tech-Chirac, and myself — a collaboration that has been waiting in the wings for a good while.


I played Bullet Heaven 2 back in the day and when I first heard the original track, Underwater Grotto, I thought: hang on, this sounds like it could fit a French pop song! Seeing as I've done this sort of thing before, I might as well do it again!


I started this in January -- round about the same time I teased the artwork (see below). The lyrics are written from the point of view of Natalie and her party, even if it's not evidently so. It may perhaps also double as a cautionary tale of what we do to the sea as a species.


However, I could only deal with it on and off between February and April due to the long marathon run of Lenten composition prompts. After that point I needed a break, and once two weeks had passed, I was finally ready to start blitzing this song. Flex and Sytrus were my two great friends.


In late April I began recording vocals for the chorus sections, whose lyrics Tech-Chirac and I worked on in January. There's plenty of ersatz Autotune and filter and vocal layered fun -- and it really was fun to do. ^_^ We finally got round to doing the verses in early May. On all accounts, where I had an idea for a verse or a line and it sounded unwieldy, Tech-Chirac would often correct it or suggest a much more poetic or natural-sounding phrase.


This is a track featuring Phyrnna's composition, my arrangement, all my vocals, and only some of my wordsmithing -- most of the wordsmithing, I attribute to Tech-Chirac. This feels like a match made in bullet heaven.


As an aside, I received Phy's consultation and my beloved's consultation over the video and potential sections that would need to be redone to make it easier on the eyes. I'll detail more about the video in an associated newspost, link coming soon.


---------


LYRICS


Ô comme la terre en dessous de mes pieds,

terre qui s'immergera bientôt,

la voix de conscience enfin noyée ;

succession rapide de cahots :

Ô comme la belle calamité

qui se retrouve face à la paix

de cet abri loin sous les eaux—


I

Ô comme la force d'un ouragan,

plus cruelle que le pouvoir de l'océan :

je fais mes premiers pas en dessous des ondes,

moi qui retiens toujours en mes mains la fin du monde.


II

Je suis l'enfant terrible du Chaos :

tous ceux qui m'ont fait face ne traversent plus les eaux.

L'océan ne sera plus l'abri,

mais un tombeau--

toute trace de vie--

anéantie--


(Ô comme la terre en dessous de mes pieds, en dessous de mes pieds,

la voix de conscience enfin noyée, enfin noyée,

Ô comme la belle calamité, calamité, oh, oh !)


TRANSLATIONS


O like the earth beneath my feet,

earth that shall soon collapse in the water;

the voice of conscience finally drowned;

rapid succession of things not having gone well:

O like the beautiful calamity

that finds itself in front of the peace

of this shelter beneath the water--

 

I

O like the strength of a hurricane,

even more cruel than the power of the ocean:

I take my first steps beneath the waves,

I who ever still hold in my hands the end of the world.

 

II

I am the enfant terrible of Chaos:

everyone before me shall no longer cross the waters,

and soon these shall no longer be shelter,

but a tomb--

every trace of life--

destroyed--


(O like the earth beneath my feet, beneath my feet,

the voice of conscience finally drowned, finally drowned,

O like the beautiful calamity, calamity, oh, oh!)


---------


Related media:


Log in / sign up to vote & review!

SO GOOD !!!!!!!

Sorry this took so long. I've been busy 😅. Not going to lie I really liked it but it felt like a entire build up so I didn't go into the song expecting the right thing. Listening to it again with the realization that there's no huge drop and it's just something to vibe to makes it much better to listen to because I know what to expect next time. I think this is a cool idea would have been to panning the clicking sound around 3:01 minutes back forth slowly. I feel like it already is panned but I can't quite tell. Maybe you could try that idea with a sub bass. Again I'm no expert on panning because I just learned it not to long ago but from my experience with it those are some ideas I have. When a slowly I mean like a slow travel of sound from one ear to the next smoothly. I know some songs do this and it it gives a good feeling imo. Again not a panning expert.

This is really good. I think you got the voice coming in very clearly without it taking away from anything behind it and although I can't understand anything it's still nice. Good job! Also you could also share with some advice you have for me on panning.

Troisnyx responds:

Thank you for your review!

In terms of the panning in general, it'd need stereo separation as well (to the same % value as the panning) for it to give the appearance of depth. I generally tend to pan my basses centre, then the other instruments either exactly to the specification of an orchestra, or (in the case of synths) close to that, with a mid range instrument on either side which serves the same purpose as the other, for example. Drums are mostly centre, with overheads mics to catch toms and cymbals at 20% on either side.

For the click, I needed to use panning and stereo sep *automation envelopes* — meaning that I had to do curves on the playlist and make sure that their values aligned with each other. A safe bet is Centre — 50%L — Centre — 50%R, and so on and so forth. Against a bunch of instruments occupying different frequency ranges over a wide stereo field it can be hard to tell, but if you noticed it moving from one ear to another, that's a job well done. 👍🏽

Man I remember playing the Epic Battle Fantasy series and enjoying the music a lot when I was a young lad. Those were the times… Loved the simplicity and catchiness of Phyrnna's music that made it easy to get into, and hearing this really just takes me back to those times. I can certainly say you did justice to this.

The vocal work on this is absolutely amazing. How everything is layered, the singing, and the use of autotune is a nice touch (2;40 omg :x), although I would’ve prefered a bit more autotune on the vocals and maybe bringing the formant up a bit. Mixing could probably be better, as stated before the reverb is a bit too much and a de-esser could be used to lower the s’s and t’s. The vocals could use a boost in the higher frequencies for added brightness, along with a dynamic EQ and a slight bell cut (?) at the mids and high mids to tame the resonance a bit. Maybe some added saturation and a bit more compression (?) to bring out the vocals more. I do think that some parts where the background vocals are by themselves could’ve been a bit louder, like 2;40 and the end where the choir comes together.

The instrumental is very solid and atmospheric. Really nailed those underwater vibes for me. Not much problems here besides maybe a little delay could be added to the pop effect heard in the verses and the clicking sound being a bit too loud at the final chorus, but that’s just me.

Overall, really nice atmospheric french pop song that does justice to a childhood favourite. :D

EDIT : lmaoo realised this is from bullet heaven 2, point still stands...

I love it, amazing vocals, sparse yet epic cinematic instrumental. Kinda gives me old school synthpop vibes in a lot of ways.

Relax music!

Credits & Info

Lyrics

Listens
6,256
Faves:
27
Votes
58
Score
4.61 / 5.00

Uploaded
May 12, 2021
6:59 PM EDT
Genre
Pop
File Info
Song
7.4 MB
5 min 23 sec
Software
  • Audacity
  • Sytrus
  • Flex
  • BBC Symphony Orchestra
  • FL Studio 20
Hardware
  • Scarlett 2i2
  • Samson R21S
Misc. Kit
  • TX16Wx
  • Auburn Sounds Graillon 2

Licensing Terms

Please contact me if you would like to use this in a project. We can discuss the details.

* Cover / remake of a third-party piece.
Excercise caution when using it, refer to author comments / contact the author for details.