The snare (I think it's a snare) feels kind of sharp at first. The dubstep sounds could be a bit smoother as well, and the fast-paced part starting at 1:13 sounds like everything's trying to be over everything else. Also, while most of the sounds individually sound fairly smooth, it definitely sounds like it needs some EQing to make them work together properly. I definitely prefer this to the original though, as it has variance, which the original completely lacked.

Honestly, the best way I've found to figure out how a synth works is to take lots of presets and toy with them until I figure out what does what. There could be several different ways to alter your sound in the way you want.

I just really like SOS ;/ And this really FUCKING GOOOOOOOOOOOOOOO's The end is like an 8 bit pirate shanty. It would be slick to see some gangter ass adaptation of link riding harrp like robin hood to sustain secluded societies. Maybe that would be too microcosm though? It would def. fit with this short track! I truly wish I could present what I see in my mind to this portal; When I say it people get lost in some existential quest for zelda's lost tri-force. But, the visions and voices do not ellipse with consciousness. They are separate entities ever spiraling into destruction. The spirit raised above them to coordinate the cataclysmic traffic. It's the eyes in every sentence, and the structure of the information super highway. You're brain is the sadistic rape puppet in the office of awkward psychologists with an in for brief stands. Constant acknowledgement and cheap plans, It's all just a fleeting stand.

To the eternal, there is no internal. There is only wave space; where the frequencies collide to abide, and coincide with every rhythm's divine. Only phantoms controlling the flow that's deep within tides. If the Gravity lies? How is the cat gonna land?
When stretched out to see how it got it's feet and it's hands.