I like the echo-y strings at the beginning and the dark tone of the piece at :08. The eerie percussion at :11 helps establish the atmosphere, and the brass and other sound design elements all mesh nicely together as well. I think I would’ve liked to hear a bit more of the militaristic percussion in the mix at around :40 onward, but otherwise the production quality is great here. There’s a lot of pent-up tension in this piece, but I’m not sure it ever really gets resolved. You do a good job of creating variety with the instrumentation, but after a while the harmonic framework gets a tad repetitive. The pattern of the heavy downbeats with the dramatic quarter note riffs following (1:06, 1:21, 1:38, etc.) is effective at ratcheting up the intensity for a while, but also gets fairly predictable after a couple of minutes, and it doesn’t help that during many of those riffs the rhythm is fairly square. Still, the melodic content, sound design, and mixing are characteristically strong here, and I thoroughly enjoy the cinematic style of this piece. Keep it up, LSD! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.75/10

Lapland... Finland? My geography is pretty American and it shows aha. I can feel the cold in this piece, in contrast to fiery :P

I always appreciate the dynamics and brooding air to your work. That's fire indeed. The balance of this piece is feeling spot on throughout. Perhaps I'd like a bit less long tail 1000 dB bass drum and a modern punctuated decay there. Bringing it up so it isn't hiding as much underneath may assist some, or perhaps more variation in velocity.

The only thing that holds me back from giving a higher score for this piece is that after a certain point I don't feel we progress much, until 3:09 which feels more like a build than an outro. I think some degree of this is the percussion remains at about the same intensity throughout the remainder of the track. The result is that we start strong and I feel sit at the same level. Perhaps the intro and first half can be made quieter to make it feel more as if we have room to grow.

Beyond that, I'm stunned with your ability to push out banger after banger thus far. Great work!