At 12/16/23 11:10 AM, BroSkullEmoji wrote:
https://www.newgrounds.com/art/view/broskullemoji/0bssessed
Description
I see a lady with a deranged face seated on the ground, holding a knife and sprayed with blood(?) on her face and left arm and with the words "LOVE ME BACK" written on a wall behind her, also apparently with blood or some other redish liquid. There's some sort of stylised logo on the bottom part of the picture and also a parental advisory warning/label. The lady and the words seem to be in some sort of alleyway and there's a fuse box (I think) on the one corner of the picture. Also the wall is degraded and bears graffiti.
Analysis
Points: I see clusters of white ones and of black ones on the ground, very light purple ones on the lady's left arm, white ones on the fuse box + on a pole to the right and on parts of the wall, many clusters of pink ones on the wall and on a wooden board on the ground some; and finally some light pink ones on some parts of the wall. Many of these seem to be accompanying effects of texture and/or value.
Lines: Extremely thick ones on the lady, specially on her pants, although there's also a great number of thinner ones on her as well. A lot of irregularity on the thickness, a lot of curvature and edges. Some straightness on body parts like the fingers, arms, legs and the skull's jaw on the logo. There's also use of thick lines with varied curvatures for the graffiti. Use of straight-ish lines meshed for some sort of texture effect on the right. There are other lines or line-like elements but I think I'll mention them in Texture, Value and maybe Forms instead.
Shapes: Humanoid shapes for the lady (limbs + torso + head), pointy shapes for the eyes and eyelashes, rectangular-esque for the fuse box and the pole (a very thin one for the pole), I'm counting the "LOVE ME BACK" letters as thick enough to call them mostly curvy lexical shapes, and there's the shape of a skull on the logo + many elongated shapes for tongues/tentacles + a head with a shape a little bit hexagonal + a spreading symmetrical shape behind. Also the knife has a shape serrated and claw-like. The logo seem to be encased inside a circular shape. Plus there's a rectangle for the warning/label and some smaller shapes near it, some quadrangular-esque, others more unique.
Forms: Greatest use of them on the lady by far, again something humanoid, tube-like forms for the limbs, fingers, mane-like for the hair and something flat for the blade of the knife + a tube form for the handle. Something a bit block-like for the fuse box and tube-like for the pole. Some thin, elongated and sinuous forms for the tentacles on the logo. Some flat forms for the wooden boards and, near them, something close to a cilinder or some unique form.
Space: Generous in general on the right side of the picture, tighter between the different parts of the lady's body and between the pole and some thing to the right (in some parts), something of a middle-ground space-wise for the space between her legs, some higher part between the pole and the thing, and maybe between the lady and the fuse box.
Textures: Many folds on the clothes, stitches on the pants, I think something coarse for the hair (also on the logo), blood stains on the face + left arm + the knife (which also has a metallic texture), a cracked and damaged surface on the wall, something dusty and/or stained + rusty on the fuse box, many splattered and dripping parts near the letters on the wall, something stained and something dirty on different parts of the ground, something woody and stained near the warning/label + rocky surfaces also around there, some specific fabric for the pants and shoes (I'll cautiously say wool...), something gem-like for one of the pendants, and finally something scrapped and something patterned for some lower parts of the wall. By the way, there's some splashy texture to the right on the pole and the thing near it that doesn't seem to fit well into their forms but in this case it seems to me to be intentional as some sort of filter/effect applied on top of many parts of the picture (considering the logo, the warning/label and (spoiler) the stated creative vision).
Color: Very strong on shades of purple, violet and lilac specially on the lady's clothes, hair, eyes, knife and on some other details, pink and red for the letters, gray for the wall and pole, some shades of brown or a reddish brown for the fuse box, a lower part of the wall and the wooden boards, I believe pink salt white for the lady's skin, maybe magnolia white for the rocks near the boards and some gray-ish blue for the ground (steel blue?). Plus some less saturated shades of blue, red, black and white on the logo.
Value: Effects of brightness and shadow seem to be juxtaposed on most parts of the picture, most shadows seem to indicate a source of light coming from the top right. Mostly mild lights and shadows, exception being an intense brigthness in the lady's iris.
Interpretation
I'll be using what you told me about your creative vision, thinking on "a deep and destructive obssession for someone", "a shot in a movie or an album cover" and "appeal and/or uniqueness".
Judgement
Movement: Only a bit on the extent of the legs I think and from the waviness on the hair. Maybe a tad bit also on the pole. I believe the clothing and hairstyle tie naturally to appeal/uniqueness as identifiable traits of the lady (although IMO everything that's not just stolen can be a source of apppeal/uniqueness...including the pole with e.g. the minutiae of the art style).
Unity: I see a lot of it from repetitions, continuity and proximity of areas of Colors derived from the hues of violet, red and blue. There is also a great deal of Variety from the Lines and their traits and the ammount of different Textures. Unity also on the logo and warning/label and how the circle and the rectangle Shapes' continuity seem to be respected. The proximity and repetition of the red stains on the lady's arm (+ face) and the knife convey to me ideas of violence and harm, that Color and Texture coupled with the Colors, Shapes and Textures on the wall communicate me a story about a destructive loving obssession.The warning mimics the ones found on many album covers and thus brings me that memory. Finally most of what I said here I see as appealing in some way.
Contrast: Specially between the lady and the words, with their Shapes, Textures and Colors. That makes me think on the obssession story again. Naturally they also tie to the identifiable traits of the lady and their appeal. Also there's some contrast with the juxtaposed use of black and white for the classic album cover warning, so also that.
Emphasis: I think mainly on the lady's face, with the intense brightness (Value) on her eyes, the edgy black Shapes for eyes and eyelashes and the variety in Textures of the hair closeby (+ the Lines and Shapes that constitute her expression and maybe the lighter Value and Color on her face in contrast to the darker Violet/Purple). The twitchy eye and manic expression I think help convey obssessive behaviour, which can also be appealing as an art of the horror genre, for example (and while I'm at it, the black eye could be appealing as an stylistic choice IMO).
Balance: I believe the tilted fuse box shows disequilibrium and there's maybe minute tensions in the limbs of the lady. The unstable state of the fuse box could be tied to the instability of an obssession I believe, kind of like a metaphor; and also the fuse box as an unique object in the art I believe adds, well...uniqueness.
Proportion: My scales here will be biggest for the wall, then the lady herself, then the fuse box and the pole, then her torso and legs, then her head, arms, knife, the boards and the words and smallest for the graffiti, her pendants and earring. I see the diversity in scales as producing some appeal but, other than that, nothing too close to the vision.
Final Judgement: Successful.
Also, I just realised I could just be calling her "Chelsea" at some point, eh, but anyway. Also, since many album covers are just images of all types, maybe that works always...