This podcast is getting hella good
Back in the day, Joshua Tomar aka TomaMoto ruled the streets of Newgrounds with his buttery voice and friendly work ethic. Now, while not frequenting NG as often he makes up for it as a professional voice actor, co-founder of an animation studio and regular on OneyPlays. Join TomaMoto and I for a nice, relaxing evening chat by the fireside. And by the fireside I mean two microphones a few cities apart. Which isn't that far considering the last one featured a microphone in Australia.
~~~
GROUNDS PATROL is a Newgrounds creatorsβ podcast featuring artist interviews, site news and more. Episodes come out every other Wednesday.
~ FOLLOW us on Newgrounds AND wherever you get your podcasts!
~ REVIEW this episode on Newgrounds and you might get part of the review read aloud on the next one!
~ FOLLOW us on Twitter: https://twitter.com/groundspatrol
~ JOIN the official Discord server: https://bit.ly/groundspatrol
~ FOLLOW the host on NG: https://willkmr.newgrounds.com
and Twitter: https://twitter.com/willKMR
This podcast is getting hella good
Absolutel loving this podcast series! Great to hear some Yotta insight.
Learned so much VA stuff with this one. Shotgun mics too hmm. I settled on a dynamic one instead of a condenser for that reason (that reason being it wouldn't pick up unsuitable background noise, like computer buzz), but maybe this is even better... the price though. :O Serious investments.
Twas awesome to partake in this the great Tomamoto quest in this most suitable form (this form being sound), and to see that even after such success he remains such a humble dude. Still contributing to the NG. Still passionate. Good podcast yet again.
-cd-
that was great man, always awesome to here Tomar spit some knowledge
Really great episode. I always love being able to hear the stories of how people have gotten to where they are with their creative endeavors. Tomar is a real cool person, he would be cooler in my book though if he revealed the location of the Tomar Emeralds.
You are free to copy, distribute and transmit this work under the following conditions: