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Le Vil Brequin


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My attempt at imitating Crankshaft(https://chipscompo.com/user/crankshaft‌)'s inimitable style.

Bonne écoute.

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I can totally get what you were going for with the Industrial power noise sound, and you've got some really cool underlying elements, but those are ultimately far overshadowed by what ultimately comes off as too much crunchy distortion. At no point does the listener get a break from that, and - whether intended or not - it ends up being rather abusive on the ears. I try to be very discerning when it comes to loud, harsh sounds that could damage my hearing. Suffice to say, this track has been a bit of a struggle for me, despite how incredibly talented I know you are.

Now, of course I know that this was never intended as a NGADM track from the beginning. I am overjoyed that everyone still in the contest had something to contribute to the Round of 16. You had this available, it was made within the allotted time-frame for CHIPS, you asked and I was happy that it could be allowed in. But at the same time you knew that it probably wouldn't help you to move on to the Quarterfinals. Not that it still doesn't frustrate you, especially with the judge averages being less than complimentary, but there is a precedent right within the contest guidelines.

A quick perusal of the Tournament rules brings us to the following statement: "Keep in mind that this is a MUSIC competition. We won't judge voice-acting, experimental noise, sound effects, or anything that doesn't count as music." Although there are indeed musical elements, the fact that highly divisive noise pervades the entire track without a respite was damaging. Sure, we could debate semantics over what "music" actually is practically forever, but as the judges of this contest we can't afford to take anything other than a decisive stance when it comes to our scoring.

Long story short, this is the case of a good idea that simply didn't pan out for the contest. It's happened a lot, to many of the contestants, since this whole thing started back in May. Giving your listener's ears a break is vital, especially with hardcore distortion and lots of loud, crunchy noise. I would have liked to have seen the levels of distortion rise and fall, or switch from one mode to another at least some of the time. There are all kinds of ways to alleviate ear strain, which happens far too quickly in this instance.

What I could actually hear going on beneath the somewhat overwhelming power noise was excellent! I just couldn't hear enough of it, which is a shame. Regardless, I love what you do, and I wish you the absolute best of luck going forward!

7.25 out of 10

Credits & Info


4.25 / 5.00

Aug 20, 2017
6:12 PM EDT
File Info
6.3 MB
3 min 8 sec

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