After the success of Sand Shanty, reclusive multi-billionaire Moz Quilson commissioned this album for his deep sea underwater science habitat. Studies showed that when the scientists and visitors must make the bi-weekly trip in the submersible to the research station, it was conducive to play music, so Mr. Quilson wanted an album created specially for this purpose.
There were some complications because Dairy Tade insisted that we visit the habitat on multiple occasions to receive the full experience. Eventually, we opted to install a control room in one of the laboratory sections and send the signal back to the main recording studio at the Tade Dairy Farms.
I strive to use all open source or personally programmed synths in my music – PureData/Max and Ardour, while playing my lead parts in on my M-Audio Axiom 61. I create all of my 3D album art in Blender.