I am really impressed at the quality of your production these days! It genuinely sounds pro.
The bassline again: it sympathetically resonates with my sternum in a very good way. The drums are simple but help drive the track along, the real star are those horns...the envelopes must have taken you ages! I can absolutely hear this as a track in a modern film score.
If I were to add anything personally I might include a bit of piano or other melodic percussion in the last third of the track to create more of a crescendo using different textures...but thats a style thing rather than execution.
Curriemaster. Just sent you a message explaining some shizz.
That bass....it's a fucking rhodes brah! Who doesn't love a fucking rhodes!!!!! it's simple, basic, but carries the rhythm. Drums....XLN addictive drums. 6/8 motown swing.
Those horns.....yup they are damn good. They are stock from Kontakt, fiddled for the attack, verbed to fuck, then again verbed through valhalla. 20 mins of fucking around, I knew the tone i wanted so just tweaked it to shit.
Film scores are my thing mate, been used in loads of vids, games, animations for the very reason of how 'cinematic' i make my shizz. With regards to your suggestion of melodic percussion...maybe not, but some plucked notation octaved up could work with a bass thump on the beat.
Regardless....get the fuck in touch. and thank you very fucking much for the twattting review you scottish chode.....(love you:))
Sayyy...I really like this! Well done.
as you bloody well should should squire!
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