I don't know...maybe I'm the only one that enjoys this creative stuff that you put out--perhaps esoteric is the word to describe it. My eyes widened when I heard it. I can't tell you why either. The timbre, choice of notes...? who cares
Made in the hour and a half I had to get ready for work one day. I threw down a rhythmic element (the staggered LFOs affecting the volume of four 3xOscs) and just dove in. It'd be weird to change it now that I have more time, it was such a crazy moment bashing out a full song in the piano roll in such a limited amount of time.
And no, I didn't miss the bus =3
I don't know...maybe I'm the only one that enjoys this creative stuff that you put out--perhaps esoteric is the word to describe it. My eyes widened when I heard it. I can't tell you why either. The timbre, choice of notes...? who cares
Thank you, that means a lot =3 You're not the only one, I have a few other people rooting for me here and there. I know I probably won't make much if anything from my music, but I can't really stop. I just wish I had more time for everything I want to do.
My angle is that I think electronic is over-obsessed with production, more should be done to adapt composition to a single choice of output, treating speakers as instruments - for me it's headphones - because that removes any nasty hidden limitations on the space that you can move through. It might not be a popular choice, in the literal sense, but it seems more permanent, like why people love vinyl for older music. People spend thousands of dollars to restore vintage audio equipment for listening because the medium was so limited that the music was designed around it. Now that we've lost all limitations with digital audio, it's become a lot harder to find that center even though the equipment that people listen to our work on is still so varied and harshly limited - I can't even hear the lower notes in this on my laptop speakers, but to me they make the entire second half make sense, instead of being abrupt and aimless.
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