00:00
00:00
Newgrounds Background Image Theme

TechnoCookie just joined the crew!

We need you on the team, too.

Support Newgrounds and get tons of perks for just $2.99!

Create a Free Account and then..

Become a Supporter!

Kentucky (Finale)

Share Download this song

Author Comments

I can’t believe this is finally over.


I’d like to first give obligatory thank you’s to a bunch of people. Special thanks to:

@Tangerine who has been with me for practically my entire 3 year journey, inspired many of the songs of this series (including this one!) and helped me to become a better musician throughout the end of my childhood years.

@TaintedLogic for hosting all of the competitions I’ve been a part of and also opening my eyes to new genres of music I wasn’t previously a fan of.

@FJOB and @wilidacious for being there near the beginning of this series and supporting me even when my music skills weren’t fully developed.

@Anonymous-Frog for responding to a lot of my news and forum posts and being the only one to use my music for another project.


And everyone else who has left a review, a comment on a post, or even just listened to any of my songs. No matter how you became familiar with me, I wholeheartedly thank you all.


Ok enough of that. Time for the song.

Please listen to this with headphones. I beg of you.

This is the biggest thing I’ve ever done; not just on Newgrounds, but online in general. I probably spent around 100 hours on this one, if not more. A 7 minute BEHEMOTH of a track with literally every style of music I’ve ever made (or at least, references to said styles) with many of the instruments I’ve used as well as new ones. Many MANY hours spent writing, rewriting, placing down, shifting, anything you can think of, all on an iPad Mini 5 on FL Studio mobile.


I followed Tangerine’s suggestion on a very old news post or review, I can’t remember. This is really Kentucky (the new song) but in a massive medley of a few notable tracks from across the 50 States series. The song begins with “Kentucky” but quickly references other tracks and brings them forth into the future. The melodies from back then were good, just not taken to their full potential; this song is my attempt at doing so.


I know historically I’ve been bad at long intros, but I think I added enough in the intro for this song to keep people interested. Also, this is the finale, so hopefully that’ll increase attention spans a little beyond the norm lol.


As this is such a HUGE project with MANY moving parts, effects, notes, automation, etc, performance on this one quickly deteriorated. I never had issues with performance until I made this track. Randomly the notes will glitch out and hurt my ears before disappearing completely. This created some issues when trying to continue the song past the 7 minute mark, so I came up with something: why don’t I just end the track with every instrument dissolving to a massive crescendo of the Missouri melody (the song that started this all) to end off this three year journey? I wanted to actually continue this song further but the performance issues were getting a bit too much for me to handle. Also notice that at the end, supersaws are the driving force behind the crescendo, which is a reference to my EXTENSIVE use of them throughout the years, all the way since I started making music on Newgrounds in 2018. I honestly would’ve liked to do something even more ambitious for the ending but, again, poor hardware for this size of project.


I was going to reference other tracks that aren’t on this account, but decided to keep this song confined to the 50 states and nothing beyond that for the sake of this being a 50 states finale, not a 50Steaks finale. Either way, they’re mostly intertwined, so that’s not really a huge issue.


So where do I go from here? Well I’ve been seriously considering moving the msm remakes over here to this account while finishing that series. The songs are quickly becoming the main thing I make (with celestial island being the next installment). Alternatively, I could go ahead and upload songs that belong to no series, such as several crazy projects I’ve started over the months of working on this one. In short, I’m going to be uploading WAY more and more varied music from here on out now that I’m no longer confined to the 50 states.


I end all my descriptions with “Enjoy!” But I don’t think that’s fully appropriate for a track as big as this. So here goes nothing:


EEEEEEENNNJJJOOOOOYYYYY!!!!!!!!

P.S. did you guys like that second of silence at the beginning? I thought it was super dramatic :D

P.P.S. Nevada, my most popular song, is referenced here extensively but in a very subtle way. I copied over the “Nevada pad” as I like to call it (that instrument in the beginning that basically carries that entire song) straight over to this one. The melody didn’t make it though since, again, poor performance.


Edit: here is a quick video that shows you how large this project is. I mean it’s even bigger than Nevada and has more usage of FL features like sliding notes which are notoriously difficult to use and buggy on this mobile version.

https://youtu.be/M83me7k6lEI

Log in / sign up to vote & review!

Man, what a journey it has been, haha. You've grown so much since 2020 when you started posting on Newgrounds. Unfortunately, all good things have to come to an end, seeing as there are only so many states in America. It's good to see you finished it with a bang. I'm glad you decided to go with the medley idea (or a variation of it), I was secretly hoping you would. Also, I'm very sorry about not existing for a whole month, I wanted to wait until I had enough time to properly comment on this. I'm so good at being on time.

It's kind of odd that Fl starts to explode after 7 minutes. Your Tennessee one was 13.5 minutes long. Maybe it was all the plugins/soundfonts you added in or maybe you just have a lot more going on in this one.

00:00 to 01:28, of course, it wouldn't be a 50steaks piece if it didn't have a long intro, haha. Despite the intro being a minute and a half long, you spaced and introduced new elements and sounds in a way that kept my attention and made it not feel like a minute and a half. Also love how used your iconic kick on every beat thing. It's a lovely throwback to a bunch of your other songs and their intros.

The sustained high notes along with the electro swells makes for a very interesting and mysterious start. at 00:35, I like how you held that idea a little longer than what would have been expected. I think it was a really nice and effective way to transition and create the desire for the next section. I'm not sure what the actual term is for it. The same way as a diminished chord resolves to the tonic of a key. That along with the slight increase in distortion made for a really clean musical transition. It's very subtle and simple, but for me, it made the intro that much more enjoyable.

With your transition done, you seamlessly introduce the drums to maintain the listener's attention. Again you use the same transition technique that I like, but you added up the intensity of the distortion. I feel like using the same technique twice in a row may have had an impact on its effectiveness, but not enough to worry about.

01:27 - 01:56. I think the melody is the weakest aspect of what you've made so far. Not to say that it is bad or anything, I just think it is a little repetitive and you wouldn't be able to listen to it for a long period of time. You also tend to do these small 3 or 4-note chromatic runs, which give off a sort of spooky vibe, which I'm not sure if you're going for or not. Perhaps it may give off that impression because of the synth the melody is played on, not sure.

01:56 - 02:25. In my opinion, I think this section gets a little messy. A good rule of thumb that I often use is not having the harmony leave the chord progression too often. Especially if you have a melody with discordant elements. I do have to say though, despite the messiness, it is charming hearing everything still shift with the chords. A sort of order in the chaos. Very cool, if that was intentional, haha.

02:25 - 02:54. I like how you changed to a more monoharmonic style in this section. Complete stylistic contrast to what you had before. Going from a little messy and all over the show, to the complete opposite. Everything playing together in unison. I really like the brassy textures you have here, I think it goes very well and it introduces a new musical idea without it sound unrelated to what you had before.

02:55 - 03:07. Nothing much to say about this section, other than its cool and sounds awesome. I really like this section.

03: 06 - 03:21. I feel like with the way you set yourself up with the previous part, you didn't leave much room to add much more. The new additions you made to this part sound a little out of place and that it's clashing with the perfecting that you had just had. Creates a sort of unbalance. Perhaps shifting the notes by a few semi-tones, just so that it works and doesn't fight with what you had going. Shouldn't be too big of a fix, just shifting around the pitches to see what works.

03:22 - 03:51. The start of this section went so hard. The melody was simple yet catchy, and then went in a different direction and sounded diminished, in a way. Everything else in this section is fine except the bassoon (or the synth that sounds like a bassoon). I feel like there's too much going on with the bassoon and it might be beneficial to tone it back a little. It's taking away from what the melody is bringing. Also, it clashes with the melody every now and then.

03:51 - 04:20 (blaze). For me, I think this section may be the strongest yet. The melody is the best so far and the harmony elevates the melody. I really like the bends you have on the synth/instrument that's playing the melody. It reminds me a lot of something and makes me feel nostalgic. I just have no idea what it reminds me of. Overall, pretty strong section.

04:22 - 4:50. This section has the same issue as some of your previous sections. there's a lot of clashing and things happening. I think that if you want to have multiple ideas playing at the same time, you have to pay close attention to what notes are being played and what chord is currently active. I do like how you came back to the melody though, I think that's a nice touch. Helps the whole piece feel more connected and helps with overall development.

04:50 - 05:20. A nice climactic section. I really like what you did with 04:53. I think its really cute and was a nice change to how the melody usually goes like. Bringing more emphasis to the repetitive notes, making them a lot more enjoyable to listen to. This section fixes a lot of the melodic issues I found in the earlier section with the melody. I also like the white noise riser at the end of this section.

05:20 - 07:11. Haha, this is very cool. I like the complete shift in tone and atmosphere. I think this is a very cute way to end the piece and I appreciate it. I can see how you wanted to go further with the way you express your musical ideas because this section sort of seems like it wants to start up something like a second movement. But unfortunately fl mobile has to explode and prohibit you from doing more with this project.

Overall:
I really like this piece. I can tell you put a lot of effort into it, and it shows. I think it's a very fitting end to your 3-year-long journey. Just as you turn 18, a new chapter of your life begins, just like how a new chapter of your music will begin as well. It was a lot of fun being able to listen to your music and watch you grow as a musician. I hope I was able to help advance you with your music the same way you helped me and my music.

All good things come to an end. But with an end to your 50states journey, I'm sure even better things will come. One final congratulations, friend!

50Steaks responds:

The first time you mentioned me using an extended swell as a transition, my intention there was not for it to be a transition but instead as a way to increase tension slightly and differentiate it from the very beginning. I used the same thing again because I enjoyed the way it resolved back to the primary minor chord.

I was going for a spooky vibe at the first drop, but the repetitive nature of the melody is something that was somewhat intentional, as it was by no means meant to be the most intense or dramatic part of this song.

As for the shifting of the chords, that was fully intentional. Even though that section is messy (I needed to find a way to begin the actual medley part of the song), I still wanted the driving force to be the bass’s chords with no question, and I succeeded there as I now realize.

Interesting your take on the saxophone, as I now realize I made have gone a bit too far with it especially in the second half of the first part of the song.

The new additions at 3:07 were a deliberate choice, but in terms of mixing you’re absolutely right and I shouldn’t have crowded it so much. I just wanted it to overall be more intense than the previous section but it may have led to too much reverb there.

I considered toning down the sax there right before the guitar solo, but then it sounded too much like just a cheap rehash of the original Massachusetts. I wouldn’t have done that there if it weren’t for the fact that I was recycling a major melody.

Yeah so I’ve finally found out how to properly use the guitar sample for this one. It was THAT section that kept motivating me to finish the finale. It’s the best part of the piece, no doubt about it. I see a pattern: you like the intense stuff but are not a big fan of the “verses” if you will. I can’t help but agree.

The last section is missed potential but I wasn’t able to continue the song much further than it currently is. Why was I able to make Tennessee, then? Because what I did there is split it into four separate projects, make them audio clips, and place them together with extra reverb to transition between them, thus helping performance and allowing me to have different tempos and time signatures. Here, it was all just one big project, not 4 separate ones. That’s why performance suffered, and that’s why there’s audio clipping in the last part. Take that and multiply it by 100, that’s what I was dealing with while making it.

So glad this series is over, but I must say it does leave a void. I’ll probably fill it with MSM remixes or something.

Nice! I see a lot of names I recognize on that thank you list :) I love the community here.

I'm appreciating what you're doing with distortion in your intro, nice and cinematic. I think when the lead comes in at around 30 sec it could be panned around or pingpong delayed for effect. It and the distortion are quite bright tonally and stand out from your bass in a way that's not quite what I would expect.

The sidechain makes up for it some, but overall I think your side chain elements, lead, and bass, are too loud for your snare to cut through. Overall good chords through here and varied instrumentation.

At 2:07 that sax sounds a bit clumsy, the bari. It's very verbed out through here, we lose sight of the bass, and I can really hear how loud these are when we have them alone with the house bass/kick/hat. That bigroom kick should take up a lot more space!

I would take down reverb here by a LOT. But I praise the vision and the cross genre work, as well as your consistent theme.

This track shines in its variety and sticking to a theme. The reverb is really hurting it by a lot as the low end shoegaze wash is muddying any limiting, compression, covering up finer areas of mix.

Really though, I find your writing to be a treat. The kick at 4:39 could be tuned to follow the bass line so it doesn't clash with the bass. On the minor i chord it does fine but otherwise the sub clashes with the ... I forget what to call that chord oh well.

Otherwise, really enjoyed the track. Outro section was a pleasant departure there. Watch for clipping at 6:29.

My advice, mix at a quieter volume and keep things clean on your eq. Watch for frequencies below 250 hz on non bass instruments. They will get in the way of bass. Sidechain is your friend but will not fix all mix woes. Snare and kick should be loudest parts of mix, followed by lead and bass. The rest is to your personal taste as long as hi-hat and crash are not sticking out. Beyond that, reverb wash can be turned up on a long cut off or transition and back down for the rest of the track. It can even be sidechained on big sections, mind you. There is so much one can do for clarity.

Best of luck in all your future endeavors. Thanks for coming out to NGUAC!

50Steaks responds:

I went through, copied the file and implemented most of the stuff you mentioned here to hear how it sounds. I agree that the snare and kick do fall into the background at times but part of my goal with this track was to mix louder than I usually do for the purposes of filling the whole waveform at the guitar solo. Fine tuning the kick is actually a really good idea and helps make that part sound a little better. Given that I use the mobile version, I can’t really tell what hz is where on the little param eq they give you, but then I noticed that I actually boosted the bass frequencies on the sax which was just a bad idea.

Removing the reverb entirely from some instruments at the end makes that part sound cleaner, but at other points bringing the reverb back in for transitions and the guitar part doesn’t really feel right to me.

But your suggestion on sidechaining reverb gives me the best of both worlds. I get to have a cleaner kick while keeping the vibe and atmosphere of the song as it is. I just have to do it manually through an automation track on the mix. I will definitely be doing that in future tracks, that’s for sure.

I’m intrigued by your lack of feedback on the guitar solo, I guess that means I did a good job there.

Thanks for your detailed feedback. You gave me an extra half star as compared to my score from last year so that’s a plus at least. I still have yet to make it to the next round but I guess that’ll have to wait till 24.

I am very glad that you have been able to finish with the 50 states, with respect to this track I liked the dramatic silences that have been incorporated and the harmony that is added to accompany the music, I advise you to continue listening to more of the music you want to make in order to be clear about what you want to convey with your music, because that is the main thing, what the listener can feel when hearing your musical pieces. Also to enrich yourself even more musically you can review videos of musical analysis, of all kinds, so you can have a notion of how the chords go, which notes combine with each other, what types of transitions you can use. Also something important, I would like to know what you could do with a computer Fl studios, because it is known that in the mobile fl, there are not many options. And to finish this commentary I would like to emphasize again the good sonorous and melodic process that you have had until now.

50Steaks responds:

Thanks for enjoying my song! I think some of the beauty of my work comes from the humble background: seeing just how far I can take things and just how advanced I can make my music using limited software is something I’ve become rather accustomed to and it might just be part of the “brand” now.

firstly; let me congratulate you on accomplishing this monumental task, i feel weary and well traveled now. i am thankful you did not leave me stranded in illinois, (unlike certain people i could name).
secondly; what a grandiose finale this is! i love how tight the composition is and the chord progressions are delightful!
thirdly; i am looking forward to your forthcoming interpretations on the provinces of canada.

50Steaks responds:

I forgot to thank you in the description. On tens of my tracks you’d be the only one to favorite or download any of them, and you’ve been there since I showed love to your track indigo depths. I wonder who left you stranded in Illinois lol

Yes this is designed to be as grandiose as possible as the firm end to a years long journey. Sorry it took so long but I let this bake in the oven as long as possible for it to come out well done, if I may use cooking terms. The basic idea was done last year but I spent 6 months tightening things up and updating it continuously to sound more and more modern. It was truly a task of the ages.

Credits & Info

Artist

Listens
334
Faves:
3
Downloads
1
Votes
10
Score
4.69 / 5.00

Uploaded
Jul 15, 2023
2:51 PM EDT
Genre
Techno
File Info
Song
12.4 MB
7 min 11 sec
Software
  • FL Studio Mobile

Licensing Terms

You may only use this piece for commercial purposes if your work is a web-based game or animation, otherwise you must make specific arrangements with the artist.