I like the pensive and atmospheric tone at the beginning. The sub-bass at :14 is a nice touch, and the mix is really loud. The 8-bit percussion fits the texture of the piece well, but also sounds like it’s ducking under the arpeggios at times. The piece is slow to progress, but the atmosphere is pretty engrossing, and there’s a nice sense of build-up into 1:50. The melodies at 1:50 are nice, and the little swells during the more mellow parts of this piece (2:26-2:30, for example), are a really advanced compositional tool that I love to see you use so liberally here. The transition at 3:45 threw me off a bit - it’s a very sudden change in the tone and pacing of the piece. The grand descending effect that starts around 4:40 sounds a tad harsh at times, but even the more jarring aspects of this last third of the piece have a lot of musicality and flair to them. Really unique and fun piece overall, Azuretone. My one major complaint here is that the mastering could be tighter earlier on when the texture is relatively busy. It might help to give the volume levels a bit more breathing room and use some more EQ’ing and/or stereo widening to keep the drums and synths in distinct slots in the mix. Still, you nailed the melodies, atmosphere, and sound design of this one. Keep up the good work, Azuretone! ^_^
Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
1/1
Composite score
9/10