At 8/1/13 08:46 AM, camoshark wrote:
B-but you're not using my trusty list that I've been keeping up to date since the beginning of this tournament? D:
Sorry I totally missed it! Could have saved me the time aswell!! >_<
At 8/1/13 07:52 AM, SourJovis wrote:
At 8/1/13 05:06 AM, PeterSatera wrote:
Personally im never happy with what I create...But always want to improve on it.
Same here. Nothing is ever perfect. But there are moments that I think I get a sound just right, and for those moments I'm really happy with it and think the songs will turn out great. Those moments don't last long though. Doubts always return. I no longer try to improve songs as much as I used to. A few years ago I could easily spend months on a single song. It had to be perfect. Right structure, catchy melody, original chord progression, meaningful lyrics, optimal mixing. But when I listen back to those songs they're not perfect at all. I used to add new stuff to and make new mixes of years old songs all the time, only to let them grow obsolete within a few months. Now I finish songs much faster. Sometimes I finish a song in a matter of hours (though that's still rare). I move on to new things quicker, and revisit old songs much more seldom. These time restrictions in competitions are good practice.
I'm somewhat the opposite, the more I do this the longer I take to make a track. I used to spend an afternoon making a track about 3 years ago, now with everything been worked as much as it can I completely over work it, sometimes spending a week on one, giving it a few hours everyday after work. After that, I end up hearing the stuff I don't like in it so much that 90% of my stuff gets dumped even the ones that are finished. I get so frustrated at the sound of my stuff, and until I hit that clarity and realism in it then I'm never going to be happy.
The problem is I keep listening to my favorite composers and tracks and I feel like I'm nowhere near the caliber they have. Even the ones that use the same samples I do. They have the equipment and knowledge granted, but I want to be able to think that one day I'll make a track that helps me crack it. Sometimes I think I do, then with fresh ears it's nowhere near it.