Figure i should revive this thing since I'm starting more of these and i always like documenting my process (even though i think people who make art that is solely process based are idiots) and because with my recent large ones that I didn't document people seem to have forgotten just how big these things are.
For this one ill go more into my technique and method where as the other ones were just "here is a pic, here is a more developed one".
Hopefully this one will be educational for the lot of you.
The Purpose
First I'm gonna say that I'm doing these things for my senior thesis BFA degree. The subject I'm focusing on is isolation and loneliness through the use of NO background. I have nothing against backgrounds, I use them in other works, but these ones are intentionally blank and minimal because the composition depends on the figure to activate the empty space in a way that conveys the isolation. At no point should these figures feel "floating" or arbitrarily placed.
The Photos
I start each drawing by taking a bunch of reference pictures of either myself or which ever model I can get my hands on. I have the pose in mind and the general composition before I even take the pic, but often times based on other poses the model does I change the idea. After having the pics i chose the one who's pose i like best, this is not necessarily the one that i like the details of though. Often times other poses have better lighting or details so i use those pics to get the lighting and details i want for the final piece. In each drawing i use maybe 15 or so different reference photos
Laying It Out
Once i have all the photos I want I do a rough grid on the pose photo around the figure, then generally I multiply that grid by 6 or so and do a similar grid on the paper. I do this so that I see how much of the page will be occupied figure and how much will be blank space. This process can take up to 2 hours of just placing the grid in the place that feels right on the page. the grid is not to scale so drawing from it would be pointless, i just use it as a sort of compositional tool.
Drawing
Once I have my boundary grid in place i start by fitting the figure inside of it with a very faint outline of the general shape, this outline will be altered and changed drastically throughout the drawing as more of the figure gets filled in, but for now it gives me a sense of scale and where i am working.
I then pic out the darkest part of the drawing and start establishing that dark so that i know not do do any other places to that intensity. More details on this process will be mentioned as the drawing develops.
Drawing in progress
Materials
I use powdered graphite for the sake of speed, ideally I would do the whole thing in pencil but due to the deadlines I have to meet for each one I have to use the powder. Its not as controlled as pencil but I am definitely getting more and more comfortable with it. I apply it using Q-tips and cotton balls and then erase any areas that got too dark or went over the line wanted. It has to stay in some sort of container because grabbing it straight from the jar picks up to much, when you have some sort of plate to put it in first you can control how much powder you pick up each time. I found a metal Ms. Fields cookie tin to be ideal for this.
Photo of graphite (in plate container)
Photo of other utensils
Here is a shot of a size comparison for this one, keep in mind I'm 6'2'' and that board is slanted (the board is 7 feet tall) so it looks a bit shorter than it really is.