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Reviews for "Brotherhood: Lost Loved Ones"

Riveting

This one drove me to tears man. You need to be composing for films without a doubt. Go out and get fricken rich like John Williams.

Setu-Firestorm responds:

Well, nicely enough, this was for a short film, and I have another film project I'm working on composing for as we speak.

Thanks for the review.

This song is warm-hearted..

This is good.
A bit sad..
='(

Very Pretty

Nice mixing of strings and piano. They go together in this piece very well... though I feel there is a small emptiness for another instrument to make the piece amazing... i'll leave you to decide which one (If you agree.)

This piece is very emotionally driven and sets a scene which is exactly the type of music that movie directors look for... I for one could definately see this being played in a film.

Great job on everything... but I honestly thing that the strings and piano arn't enough in some parts! I'm not sure how this would sound but perhaps some clarinets? You could also put some underlaying brass in but that may ruin the emotion if done incorrectly.

Great piece.

ghkf sad song

You say this is for a movie. Goodluck with getting song on movie, but hollywood movies suck right now so not so big of a deal. Sounds like other movie music so hard to tell difference. Good effort. See yah

Setu-Firestorm responds:

Well, this film is already finished. It's an indie project shot by a film student in Singapore, so it's not going to the silver screen.

Beautiful

This really sounds professional, great sound quality. Amazingly warm strings, and a brilliant piano really make this piece come alive. Really nothing more to say about it, as far as Classical music goes: this is the cream of the crop.

The only thing that bothered me a little bit was the ending, other than that I really have nothing to say against the song.

Setu-Firestorm responds:

Again, I don't mean to beat a dead horse, but this was composed for a film, and as such there are certain guidelines you have to consider that go against the normal grain of orchestral music; you have to cater more toward making the scene work than having a complete, full, and formulaic piece of music.

Thanks for the review.