This is an NGADM Round 3 review.
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Ahhh, that piano melody. You and ChronoNomad have both managed to make beautiful piano melodies in this round, and because I think piano is the best instrument ever, it just makes me even happier. You have a knack for piano solos, you know? Even in Fading Dystopia, you've got some lovely piano that surprisingly works well in a genre where often piano solos are used to unsuccessfully squeeze some emotional/expressive value from the piece. But yes, excellent composition. I can hear an obvious Japanese influence due to your strong use of pentatonic scales. The melody is memorable, flows entrancingly and is backed up by really sweet chords. Tiny little nitpick; I would've liked the chords to be a bit more broken/arpeggiated at the beginning. They feel a bit too... rigid? For lack of a better word.
The transitions are all pretty much perfect. You sustain some sort of hypersaw pad thing at around 0:50 which really brings up the expectations of the next section, making it quite a remarkable buildup, and then at 1:26, oh god, that was great. The key change is ridiculously cheesy but damn, it sounds so uplifting over there. The track dies down gorgeously, and then comes together almost right after. These kinds of buildups are expected mainly in orchestral, so to hear them done by SYNTHS is a truly interesting listening experience. Props on the abrupt but smooth transition to the soft section at the end by the way. In addition, you have a simple but effective intro, and I adore your ending. What a neat chord to end the track with!
I'm in two minds about some things in this track. Honestly, some ideas here sound very inspired. The melody, for example, flows so well and I wouldn't imagine myself being able to think of a melody like that without spending ages doodling around in FL or without some wave of inspiration. The key change sounds really well-thought-out; in fact the whole structure of the piece sounds like you had it planned from the start, because everything works together like clockwork, and as I said above, the transitions and all that jazz are great. Then I hear your synth rendition of an orchestra again and I think "damn, this really isn't cutting it".
I disagree with johnfn that you should've taken an orchestral route - that would be too safe. However, I agree that you could've chosen your sounds more carefully; perhaps chosen sounds that aren't so static when sustained and have a bit more sonic movement in them. The square synth that comes in at 0:57 is pleasant enough but ends up sounding a bit flat, and I'm not quite feeling the low pass filtering at 1:04 (it somehow sounds quite cheesy - works much better later on at 1:21). Your piano sound is nice but it clips occasionally. This track doesn't really have prominent percussion - it feels like it's just there to highlight some transitions and keep a rhythm going in the background - but unfortunately the snare 1:27 sounds like it's trying to bite off more than it can chew, and it sounds very muddy and dull. Then of course, that aside, I'd love some more melodic content, more development, more length. This barely skips the 2-minute mark, and it wouldn't even manage that if you cut off a bit of the silence at the end!
Anyway, I think my score for this is going to be a bit harsh, but I'm sticking with it. You have beautiful composition, and some of the ideas here are fantastic, but there are some execution quirks that kill the enjoyment factor here. That, and I'm usually quite harsh towards tracks that sound underdeveloped or don't have enough content in them. Really though, this sounds creative and inspired. I enjoyed it!
Score: 7.9/10