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Like other films on Christ's life, "The Passion" does not simply translate a single Gospel narrative onto the screen. Rather it is a composite of the Passion narratives in the four Gospels embroidered with non-scriptural traditions as well as the imaginative inspiration of the filmmaker. The result is a deeply personal work of devotional art - a moving Stations of the Cross, so to speak.

However, by choosing to narrow his focus almost exclusively to the Passion of Christ, Gibson has, perhaps, muted Christ's teachings, making it difficult for viewers unfamiliar with the New Testament and the era's historical milieu to contextualize the circumstances leading up to Jesus' arrest. And though, for Christians, the Passion is the central event in the history of salvation, the "how" of Christ's death is lingered on at the expense of the "why?"

The film employs a visceral, undiluted realism in its retelling of the passion, eschewing Sunday School delicacy in favor of in-your-face rawness that is much too intense for children. That notwithstanding, the movie is an artistic achievement in terms of its textured cinematography, haunting atmospherics, lyrical editing, detailed production design and soulful score. It loses nothing by using the languages of the time, Aramaic and Latin, as the actors'

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