Hello! This is a review for the NGUAC competition.
I've gone over one or two general categories of issues specific to your song, and one section of things I think also deserve complimenting. I prefer being very direct with my critique, none of it is meant to offend. Thank you for your understanding!
Constructive Criticism:
- Hey, since you mentioned the mix in the description itself, I think I can immediately identify one of the things causing some difficulty - your saw wave plucks have a LOT of bass to them, and the bass in general is really boomy. Bass tends to be best applied with less stereo separation and/or reverb, and it seems you can tell this to some extent due to the intensity of the sidechaining. However, it would actually be quite a good idea to turn this bass down for a few reasons - first of all, this much bass will fill up your dB levels, but not your loudness or detail as much. In a musical waveform, only so much information can be apparent, and human sound perception focuses on the mids rather than the low bass frequencies - so enough low bass, and the relatively higher mid frequencies won't actually have the volume space to show their stuff. Honestly, the rest of your mix is relatively clean so this should help it out a LOT.
- So, something interesting I've found that might help out your drops is that syncopated drumlines like you have in the second drop actually tend to be LESS intense and climactic than the more steady four-on-the-floor beat you have in your first drop. The reason for this tends to be that a constant influx of energy DRIVES the music forward, found in the form of constant kick drum (and snare) impacts. By contrast, syncopated rhythms have pauses in the energy they impart to the music, and it becomes unsteady - which is a phenomenal sound, but doesn't really DRIVE a drop. It's very intense, but a really good point of comparison is this absolutely insane artist called Camellia. Give this track a listen and compare the earlier and later drops: https://www.youtube.com/watch?v=4HXCM3mmgto The shift at 2:35 moves to a steadier and less syncopated drumbeat, and it ends up being more intense... relative to the later one at 4:09 which is DEFINITELY more intense due to the arpeggios but also the constant 4-on-the-floor kicks. It might be at a fast pace in this song, but this principle absolutely applies all across different bpms!
Compliments to the Composer:
- I was a bit iffy on the chord progression at first but, you actually handled it really well. You have some really tasteful development of rhythms and great breakdowns with the thick plucks. This track is really satisfying, and I'd really love to hear more in this style, exploring syncopation and variation of ideas a bit more as well. That camellia track has some INCREDIBLE idea development and shows just how many things you can cram into one piece of music. (he has other incredible stuff too, definitely worth checking out for inspiration if you like it - they're not all quite that fast if you look at his earlier stuff!)
Final score: 8.3