That one is very good!
I came across a few new tricks with this one, including a nice bass drop instrument crafted from the Depthcore preset in FL (I changed a bit though, all the pitch/cutoff/resonance changes are through slides in this song).
When I started I wanted to expiriment with the style of drumline from "Riptide" and try to get the same "oomf" my kickers in "Crash Course" had. I think I managed to pull that off pretty well, except I didn't go for the off-step/off-beat style snares as much as "Riptide" did
4:33 is where the bass drops kick in and the trippiness starts :P
--Info--
Genre: Breaktrance
KBPS: 160
Length: 6:18
Tempo: 140bpm
Patterns: 66
Channels: 34
Automation Envelopes: 0
Effects Channels: 15
That one is very good!
break it
Breaktrance? More like little experimental breakbeat, also so to say less tr00 breakbeat.
I think the melody has emotion =)
Heard it on Shrink 2 Its great!
Its a nice catchy tune and the sounds involved mix very well and deliver a perfect combination into great music. Good job on this. :)
I like it Dude
yes that's a good for us :) rythm is a bit slow but very appropriate, the good noise of my day.
Keep it up
For french readers :
Voila un petit DND bien sympa et c'est d'ailleurs que tu dises que c'est de la BreakTrance parce que ce n'est effectivement pas entiérement du DNB, anyhow ça reste une très bonne chanson, une bassline bien coulé et discrete, peut être un peu longue je pense, même si elle passe quand même trés bien.
Effectivement les bass drops kicks a 4:33 lol et la fin est beaucoup plus entrainante j'avoue.
Continue comme ça ^^
Summary
I think the depthcore came out good in itself, but it's a bit too loud so it doesn't fit very well in the song. Otherwise it's a pretty laid back track. I like the bass and the backround synths. They give it a good 'drive', if you know what i mean :)
You are free to copy, distribute and transmit this work under the following conditions:
*Please contact me if you would like to use this in a commercial project. We can discuss the details.