(disclaimer: AIM judge review here! these are just my opinions and thoughts, you can take from them whatever you like! music is subjective and all that. <3)
it's cool to hear such a mix of acoustic and digital sounds, and there's something a bit unnerving and melancholy about the piece which i think matches with the artwork you chose... those lit-up windmills, those gnarled branches, sure are menacing. it's conceptually interesting the way you tried to bridge all those disparate elements; and not an easy task either.
the instrumentation could perhaps be used more effectively; the orchestral parts are all written in fairly close range of one another when it might feel more expansive and open (doubly suiting the wide landscape of the artwork) to be spacing out the chords towards the bass register and creating some motion down there too. the whole first half of the song feels really wanting for some lower-pitched sounds. also the writing doesn't "go places", parts do a lot of looping, which isn't inherently bad but not what i would expect out of orchestral writing; it might be useful to think about where the lines are going, to pay attention to their overall shapes and directions, and write with more intentionality, like heading towards particular high points and low points, or reusing (in new ways) familiar shapes/rhythms/patterns that came from earlier parts of your melodies and supporting lines. this would go a long way towards making everything feel cohesive!
the last section with the drums feels particularly cool to me, even though its tone is a bit disparate from the rest. i like all the rhythmic elements at play there. there's a lot of cool ideas in this tune, and with some more careful handling of all its parts it could really succeed.