This isn't as much a song as it's just a sound design reel. Where the first track of the album only slightly hinted at the use of bitcrush, this one is going all-in, giving the track a very crackly fiery feeling, hence the name. I love the part at 7:09, where the combinations of filters make it sound like the audio is 'rising' up in your speakers. I also really like the 'random' feeling vibrato on the saw lead, which was made using a ton of different LFOs, all out of sync with each other. A lot of the structure of the song was done in real-time through live performance and that's why it can be a bit slow at times. I will go into more detail on the way I did the live performances in one of the later songs in the album, as that song was made entirely in real-time.

BPM: who knows

Key: idc

Work time: too damn long