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Rite of the Woods - NGADM ROUND 3

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My submission for NGADM's Round 3

wish me luck :3

My unsolicited thoughts:

Ooof as always in a rush, this is probably the weirdest I've got with my entries. Anyway I wanted to do something familiar but different, think I got it? Idk, you tell me! I do wish this was more memorable tho (more on that in a bit)...

The mixing could definitely be better, the ending should be a little louder and some elements are still unbalanced. I had to use some ensamble patches in order to finish in time and for some reason there seems to be a fade out in the ending? That's funny! is it really?

It's amazing how this competition is forcing me to fast compose because I'm unable to use the time I'm given and instead do it all in the last days. But I think I'm getting better at it so besides what comes out of the competition, this is a great exercise!

I'm enjoying how this one turned out tho so I'll definitely improve it later!

About the track:

What can I say, guess I had a main melody which I tried to use in many different contexts but kinda failed in the process so I ended up creating a second theme which is the one you can listen to at the minute and a half mark or so. I should've repeated the main theme when first introduced, I often forget about repeating, sorry listeners!

Music starts in D and then goes to G and finally to B in the last bit of the track. Harmony isn't complex but there are a couple cool chords you might find here and there, like some interesting dominant 9 chords from which I ended up experimenting a bit.

I'm still learning my way through quick reharms because I'm impatient and never write down the chord progressions lol. I expect to get better eventually, the Octopath Traveler soundtrack is a great example of methodically well crafted chord progressions.

Next up, I'd like to make something like Masashi Hamauzu, his harmonic language is so different and I'm super intrigued by that :0

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This is a (overdue) judge review from NGADM Round 3.

This piece's strong point, at least in my eyes, is its composition. It keeps itself on its toes throughout and consistently changes to keep everything fresh, and yet it still builds upon a common theme without overdoing it. The key changes and consistent changes from major to minor throughout, the different themes and the ways you play on them... like I said, this is the song's strong point by far. The rest also isn't bad, either - the sounds you use are really good and help push the emotion throughout, and the production, at least through my headphones, isn't too bad at all.
If I had to really nitpick on something, I'd say a couple of things. First, I definitely think that first theme could be played upon, and I know you mentioned that as well. Maybe even an interaction between the first and second themes could be interesting and enjoyable to the listener. Alongside that, I think the piece could use a proper ending. What you have is serviceable, but an ending that helps wind down the energy or signal the closing instead of leaving the listener in a sort of cliffhanger would not only help to build on the story you're telling, but also keep the emotion and ideas going too.
Overall, though, I absolutely adore this piece and I think it's one of my favorites from this year's ADM. There's so much going well here that it's very much worth a listen.

holy heck, you never fail to impress!
very nicely done!

Amazing as always, xanti! Good luck moving onto the final!

eliasalija responds:

Thanks dude! Appreciate the support :)

I love this <3

I feel like a kid picking up The Legend of Zelda for the first time again.

I'm in awe of this piece. It does everything it's supposed to with ease, and you captured the grace of an ensemble with it. Great job!

eliasalija responds:

I'm glad! Thanks :)

Credits & Info


4.79 / 5.00

Sep 27, 2021
12:17 AM EDT
File Info
11 MB
4 min 48 sec
  • Kontakt
  • Logic Pro
  • Ozone
Misc. Kit
  • FabFilter Bundle
  • My mind health

Licensing Terms

You are free to copy, distribute and transmit this work under the following conditions:

You must give credit to the artist.
You may not use this work for commercial purposes. *
No Derivative Works:
You may not alter, transform, or build upon this work.

*Please contact me if you would like to use this in a commercial project. We can discuss the details.