== This is an official NGUAC Review ==
Jesus, this is not an easy track to review. It's like, 6 tracks in one or something lord almighty
Can we just talk about your composition a little bit? Because every time I start thinking that the composition is faltering, you hit me with a jawdropping progression or melody line, but right when I get into it it's gone and it'll probably never appear again. Like, let's just listen to the first 30 seconds. We start out with a little piano arp idea, and then this music box which is playing a really nice progression but the melody line itself doesn't really do anything all that interesting and kind of goes around aimlessly... until suddenly HOLY F- that chromatic descent thingy at 0:24 is out of this world!... and then it goes away and isn't repeated or anything. (At least you brought it back later in the song.) And this is basically how I feel about the entire track, like you have a bunch of melodically OK stuff and then suddenly BOOM when you least expect it an amazing idea hits.
Or like the idea at 2:24, which is totally beautiful, but then instead of sitting there for a while and fleshing it out, you just speed up the tempo and go onto another section instead. WHY??? Let your good ideas play themselves out!
A bunch of people mention 1f1n1ty in the reviews, so may as well address the elephant in the room. You two definitely have very similar styles, basically sounding like you both just glued multiple songs together with snazzy transitions ;-) I certainly am not opposed to it, and it's definitely preferable to the opposite thing where people will just write a single pattern and loop it for 5 minutes and submit it to the NGUAC. ;-) However, the multi-part song glued together is a hard balance to strike for anyone, because IMO songs just can't transition between ideas endlessly: they actually have to feel like the individual sections can stand on their own rather than moving between place to place so fast. And that's what I feel like the biggest problem of this song is - it's so many different ideas that are each great but you move between them so quickly that I can never properly sink my teeth into any one.
While I'm griping, I figure I should briefly mention the mix and sound design. While obviously the focus of this track is on the excellent compositional work, other judges will probably hammer you for these two things. First, a number of the instruments just sound flat out fake, with the guitar at 0:55 being a prime offender, especially on the trills - try varying the loudness of it. The violins in faster sections are also a large problem - try to use legato if possible. Furthermore, the mix often threatens to go into a 'large' section, such as the rapid violin idea leading into 1:13, but the mix never really backs it up, so it's kind of a letdown.
So overall, excellent work that is unfortunately let down by a rapidly shifting arrangement.
Mini-scores (not used to calculate final score in any way - just so you know what needs improvement):
Arrangement: 3/4
Composition: 3+/4
Sound Design: 2+/4
Production: 2+/4
Overall: 8.4