Alfred's come home again, a home in which there are Littles (quite cringeworthy fare from the 1980's), Herman Goering and a new, whizzy Tristy doll. I can say "well done" again, but not for the same reasons. At first I thought you might've overdone the lens flare on the fade out to the historic house, but no, it was the last grasp of pure sunlight, before the crucible was entered.
The house did look a tad sparse, a minimalist version of the original, but I suspect our point of view is a bit more 'untainted' at this part in the movie... other things will reveal themselves all too soon I fear. Very proud to have been a small part of this abyssal tapestry. I do worry for the author's sanity in this cinematic venture, there's no lack of previous works that have had mortal complications O_o