This is an NGADM Round 2 review.
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Oh hell yes. This is fantastic. The sounds you've chosen are just excellent. The lead synth has a spacey texture to it that I just love, and yet most of the time it seemingly forgets all its trippy and spacey qualities and plays the groovy and energetic solos with the badassery of an amazing lead guitar player. Your pad and bass elements are highly fitting, giving this a very deep sound and doing wonders to the atmosphere. Your drums are, as usual, punchy, varied, and absolutely fantastic. And then you mix all those sounds so well! Everything has its own space in the mix, and the production is lovely. Of course, I also turned the volume up to the high amount just to hear how clean your low end is, and I was not surprised to hear that it is as always spick-and-span. You are the unofficial master of clean low ends.
The composition is great too. I don't think anyone can help but smile once they've heard the main riff that instantly plays during your wonderfully understated intro that doesn't waste any time to introduce the track. The track only gets better from there, with a huge variety of melodies and excellent progression between them. I love the moments where your synth just trails off into the low or high register like 1:20 and 1:36. Despite not being very tonally cohesive, it somehow gives your melodies a great tinge of excitement and energy. One little detail I appreciated was how you repeated 2:25's melody at 4:01 except quicker and developing it even more. I laughed at you mentioning that you might've worked extra hard on your transitions because SkyeWintrest is judging. Good thing he's so picky about transitions though because in turn your track has fantastic transitions from beginning to end.
Regarding any issues... well, what can I say? This track has all of the good qualities of your previous one and then some. Not only that, but it improved over all of the bad qualities of the previous one. The compression is tighter and more fitting during the harder-hitting parts (and yet still loose enough for dynamic variation), the intro is great, the piano fits this time... hell, even the reverse cymbal is just the right loudness. Perhaps 2:08 - 2:24's section was a bit unnecessary since it didn't really offer much to the track (apart from the badass transition to the next part which you could've implemented into the part before it). Also, the fade-out ending! It fits for this kind of song, but just barely. I can't help but feel that if you had a more finished ending with the same "boom factor" that your previous track's ending had, then it would've worked better.
Really though, this is absolutely fantastic. Jam-packed with detail, variation, and sweet production to boot. Brilliant job.
Score: 9.5/10