Slammin'
Almost right off the bat I can tell whether tracks like these will be great, or shitty.
The melody itself, alone, seemed to jump around a lot, but you had a lot of backup and accompaniment sounds to accomodate its eccentricity that it pulled off this haywire feeling you'd get watching a group of high tech soldiers fighting off aliens or some kind of shit like that.
The 8-bit vox starting at 1:22 is badass, the subsequent breakdown the melody is a lot more restrained, giving a serene appeal, then launching back into a kind of urgent awareness.
The piece itself is just dripping the same sweat you probably dropped into it making it, nice work.