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Reviews for "Caribesque"

This is terrific! There's a very joyful vibe to this that grabbed me right away. Great job on the percussion. Must've been a lot of work to do all that. The solo was a thrill ride. I really got the impression of someone giving their all, playing to a live audience and bringing the house down. Very spontaneous sounding and took the whole thing to a new level. Man, I would love to hear this with a live band especially that soli section at 1:25. That coda was sweet, too. Those pretty chords were nice on the ears after all the intense percussion and gave it a sweet, nostalgic feeling.

Nimble responds:

I'm glad you liked it Acme! I tried to give it the right groove feel without it being square, and let me tell you that was difficult as hell. The percussion was definitely something I had to give a couple different options to myself to see which one i liked the best. Now that I'm in Uni and some people are interested this was one of the charts talked about in little pow-wows. Thanks for listening and stay on the lookout! :)

I love this

Nimble responds:

I'm super glad you liked it man, thanks for listening and appreciating :)

weird gender.

Nimble responds:

weird gender? lol nah originally the sketch had middle eastern influences, which still remain in the Trombone Soli/Synth Solo Section and some of the Coda. I like to think of it as a kinda fusion piece. Thanks for listening though! I appreciate it a ton. :)

...

...Nimble.

...Nimble please.

...Nimble please soundgoodizer and maximus are not magic sound-good plugins.

...Nimble please.

...read this. http://blackhole12.newgrounds.com/news/post/363631

I like the exotic beat at the beginning. Interesting mood you have here. It’s danceable and catchy, yet also very unique. I think the percussion at the beginning gets buried in the mix too much at :08. You might need to equalize the percussive elements more careful. Compression might also help. The piece has a nice flow and progression about it, but at the same time its continuous energy sort of trivializes the intensity after a while. I would’ve liked to see you keep the listener grounded in the main themes of the piece a bit more by using a breakdown/bridge/re-intro at some point. You have a lot of different melodies here, and they even occasionally compete for attention with each other, like at 2:30. In fact, from 2:30 until about the 3-minute mark, the texture of this piece is way too busy. I would focus on developing one main melody at a time. I think you needed a smoother transition at 3:39 as well. I like a lot of the isolated ideas here, but you have so many of them packed tightly into one track that the piece loses a bit of coherence after a while. There’s another abrupt transition at 4:27. Even a simple crash would’ve helped you connect the two sections on either side of 4:27. I liked the ending, though. My main concerns are the concision and the “overflowing” harmonies. Your listener should be able to digest what’s going on in your piece pretty well at all times, both structurally and harmonically. That means that a casual viewer should a) be able to discern the structure of the piece pretty well and b) understand which instrument is playing the “main melody” at all times. There are some times in this piece where it’s hard to do either of those things. That said, I think this piece could be very solid if you fix those things at the spots I’ve designated above. Hope this helped, and keep at it, man. ;)

7/10

This review was written for the Newgrounds Audio Death Match 2015.