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Iliad Book 22, scene 5

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Author Comments

Narration and Poetry by Susan Katz.
Music and Animation by Barry Smylie.

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OK but

The voice of Hector is too difficult to hear. I really couldn't understand it. Once I read the text at the end I went back and could make it out. the voice is good enough, its just not loud enough. Otherwise the thing is OK. I like such things as the transformation in it. I think it would be better if the city walls were in the background.

bsmylie responds:

I guess it isn't that obvious but, all the action is taking place on a Greek pot. The top and bottom decorations are what are called "registers" on which the action painted on a pot takes place. Pottery is about the only narrative visual art we have from Greece. Some pots are like early animations, as the pot was turned in the viewer's hands, a narrative takes place; or, at least, aspects are reviled. It was sort of like the "cartoon" stories embedded in Egyptian hieroglyphic texts which inspired Greek pottery painters. The only figures that were developed enough to use and animate come from the Classical Greek era maybe 500 - 325 B.C. (Homer lived (if he actually existed) around 800 - 900 B.C)).

At the time the Greeks laid siege to Troy; the Greeks didn't decorate their pottery with figures; it was a pottery era called "proto-geometric" with lines scratched into it. At around Homer's time stick figures were being painted on pots with the bottom registers performing as the ground. Like in Egyptian art there was no background.

The relative volume of the music to the narration... my mistake, I guess. All I can say is turn your speaker or headset volume higher... it might be your equipment too.

Credits & Info

Views
1,364
Votes
2
Score
2.95 / 5.00

Uploaded
Sep 25, 2007
11:02 AM EDT