This isn't about music production in particular, but I'm posting this here since I hope it will allow people to have more insight into music they don't normally associate with. Call this a "philosophy of music" thread, if you will.
Besides, this whole forum is becoming a broken record of ad threads, simple technical questions, and tried topical discussions, so I thought this might spice it up a bit since it's a topic many people feel strongly about.
My grandiose opening statement! Dramatic!
Everybody has that one genre they can't stand. Some people can hate a genre so much that they will actually take to YouTube and post a comment about it. They'll profess that the music they listen to is the greatest and anything outside of their bubble is just nonsense for the masses.
But the problem may not be the music, it may be the person. I'm sure you've heard the "all [insert genre here] sounds the same" comment that people tend to pull out of their asses from time to time. Chances are, however, it doesn't. The person that says this just refuses to listen to the nuances that set songs apart. Or they might just be dishonest about it, finding whatever excuse they can to justify their rage. In other cases, it just "sounds like noise." This is yet another bullshit critique because no music is just noise. None. Even noise music is more than noise. The fact is, if this complaint is said in all honesty, there's a pattern that the so-called 'critic' just isn't getting. There are many other invalid complaints to be made, and to list them all would be impossible.
These people aren't necessarily stupid (although the more vocal ones just might be). They're just willfully ignorant, as most people tend to be of something. Even artists can be this way, which is why this thread exists.
Even if you're not opposed to an entire genre, you're opposed to at least one artist out there that has some undesirable philosophy about their work. This thread is to confront this dissonance, as that artist's work may not be what you think it is. In opening ears to other perspectives, I hope that anyone who participates in this discussion will have a greater understanding of what music can be.
|-----------------------------------------------------------
------------------------------------------------------------
------------------------------------------------|
I guess I'll be the first to make some blasphemous statements, then.
I can't stand pop. It just sucks. It's dishonest music made by dishonest people. It ought to be a cliche by now that so many people say this and then turn around and buy that new Carly-Rae-Jepson single, since I see that sort of thing happening all the time. What the fuck is this Psy bandwagon bullshit? Is it just because he's Korean or something? I have to deal with people I know personally that profess that he's the most awesome thing ever and it almost forces me to hop on. But I just can't. I can play along for a bit but there's just nothing about it that I find interesting at all. Not just the music, but the whole scene. Why the fuck are people so enamored over this guy? People who aren't so uptight about this say "oh relax, just enjoy a stupid pop song every once in a while." Why? Why be proud of some urge you have to listen to shit like this "every once in a while (as if it's random)?" You can appeal to the lowest common denominator AND do something thoughtful at the same time. Only doing the former makes you a lazy piece of shit.
Gangsta Rap or any type of rap where the dipshit making the music has some form of Narcissistic Personality Disorder where they have to say their name in the song. Fuck you, you're not "the shit." I don't need a watermark tainting the music I listen to. The worst part is some people actually start to believe they are "the shit" just because the guy said so. It's fucking annoying.
I should also have mentioned you're encouraged to be as offensive as possible.
Now for my defenses.
Dubstep, Electro House, French House, or whatever genre where you throw in a shitload of sounds - the idea of this isn't just to throw whatever-the-fuck together and call it a song, it's to find a string of sounds that go well together in a linear fashion. The idea is to move beyond just melody and let the timbre make the song catchy and enjoyable instead. And while some of this can be "just stupid dance music," even though just the idea itself makes the music creative enough, some artists that do this can be pretty deep about it. Seven Lions is the best example of this.