At 8/29/12 12:57 AM, Blackhole12 wrote:
You need to instead spend time listening to professional songs and trying to figure out what they are doing that you aren't.
I agree with this. When you start analyzing commercial tracks with an aim, you can learn some great techniques or get inspiration/ideas for your own. When I say "with an aim", I mean listening to a particular part in commercial tracks that you feel you need to fix or add to your track. i.e., "My transition sucks! I'm gonna listen to commercial tracks and see what they do,". You'll most likely pick up on more than just listening to a track and analyzing the whole thing by habit.
I used to think that most catchy tunes had the same exact beat going the whole way through, or most of the whole way through. People on NG would say "the beat is too repetitive" in reviews of my tracks. At first, I thought, "maybe it's because they're not into mainstream music," but for the hell of it, I listened to many tracks I like, and noticed that the beats had many small varieties throughout the track. Even if the BOOM-CHA was the same, there are more percs and varities with percussion which aren't really IN-UR-FACE noticeable, but which give the track more interest and a professional touch.