By 40 seconds, I think that quarter stab chord could come down in the mix. It's giving the impression of no breathing room.

Some comments on mix. The percussion is pretty muted sounding. Like I'm wearing ear protection, in comparison to those spacy highs. The longer the mix goes, by 1:33, we have lots and lots of reverb that doesn't let up. It also sounds like we have a piano synth that's doubling the bass, which I would cut. That's the overtones I was hearing on the reverb.

So, I would cut 250 hz and below on instances that aren't bass or percussion to clean up and make room for it to sit, shorten reverb tails, low cut to 250 on those reverb sends as well, and drop the send some.

Your percussion, particularly that gong, is either buried, in the case of kick and snare, or broom falling down a staircase in a warehouse scary loud. I think this is trying to compensate for when other instruments, like pads and leads on the sides, are also way too loud. Go back and see if you can get a handle on this mix, and make sure two things are good -- can hear the percussion well, can hear the bass, and can clearly make out the lead. Drop those instruments on the side down much, much lower. They're making the song sound like a high wash.

I love the composition, the mix is the only thing holding back my 5. Or at least like a 4.5. You've got a great mind for dnb writing. This would be a total banger with the mix fixed up on so there weren't these big discrepancies in loudness. Keep making music!

Thanks for coming out to NGUAC!

Hype and serious at the same time, good stuff.

I'll be your first comment and say how awesome this sounds, it is indeed super.