Really appreciate your taking the time!

This was a cathartically raw and filthy one for sure. It felt right to get a little unpleasant. o ͜ o Recently listened to the new Black Dresses album: https://blackdresses.bandcamp.com/album/thank-you and some of Ryoji Ikeda's "dataplex": https://youtu.be/HWhfZk1llUo so I'm sure those each had an impact in their own ways. Maybe my abrasions' deployment timings are off, but regardless of whose cup of tea it is, I've always been one to mix roof gravel into my cake frostings.

I feel almost guilty when I use simple waveforms, etc. My hope is that juxtaposing them with more obscure sound design techniques makes their inclusion feel more deliberate. Probably wasn't being too careful with the shaping of that wide squirchy percussive sound, though.

The stereo thing going on with those pads was one of the ideas I started the project with. I took the randomly-panned L and R signals, mashed them together at ~30% L, dipped the volume, brought it back up while separating L and R to full width exponentially, and then mirrored that for every other loop. 1:40, the squeaky reverb stuff and everything else remain narrower than the pads at their widest. I'm not sure what's up if it seems squashed beyond that.

Don't exactly mean to force, but future feedback is always welcome! 8)
Carets, S?