Oh wow! The reason this is better than the dance version, is that you produced this one in 3D, hahaha. Absolutely no instrumental muddiness here.... dimensional perfection! Well done & keep it up. :)

This sounds really spectacular. The only thing that you should think about at the moment is stereo width. I used to think that it would be stupid to have something panned all the way to the right or left, but it's actually seriously cool. So for something like the hats, you could have some kind of a trap rhythm and then when there's a bunch of hats in rapid succession, you could turn on some kind of auto panning to make it go left and right, like in EH!DE and Spag Heddy's "Selecta": https://www.youtube.com/watch?v=qmGauoXbREY#t=0m46s

Speaking of Selecta, that song is pretty stereo wide. Can you kind of hear how it has this interactive feeling? The panning just makes the song sound better, fuller, and shinier. There's no good way to describe it, just do it. And if you're unsure what to pan where, then find pairs of instruments that play at the same time (same time in the grand scheme of the song, not necessarily the same rhythm) and pan one all the way to the left and the other all the way to the right. Along with that, use the strange panning effects like ping pong delay because that also makes the song feel more stereo wide.

And as a final point, I know why this song turned out well. It's because of what you did to make this song. The techniques you used, the amount of time you put into this song, what time of day you decided to work on it (work on stuff in the morning, you'll do better). Try to remember all of the decisions you made, and make those same types of decisions again on your next songs.

Now go listen to more music, and try to notice the panning on the different sections of each of the tracks.

IDK exactly what happened between this and the original, but this is better! :-)