Try killing that stereo effect a little; it makes it a little hard to keep track of everything. Also, lower the high just the slightest bit. It hurts to listen to at points.
Keep the kick's frequencies out of the lead's. It all interferes with each other. Remember: frequencies stack.
Around 1:30, there's too much going on.
1:45-1:50 or somewhere thereabouts, get rid of Glitch. It contradicts the rest of the song and hits some sour notes. Find or make yourself a decent midrange bass instead.
Glitch comes back at 3:10. Get rid of it. But keep the ending (I know, it's also Glitch. But I really like it).
The melody was beautiful, the structure was wonderful, and above all, this thing has an insane amount of potential.