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The Place of a Skull

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Credits & Info

Apr 15, 2014 | 12:03 AM EDT
File Info
18.7 MB
8 min 11 sec
4.85 / 5.00

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Rated 4.85 / 5 stars
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3,019 Plays | 48 Downloads
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Author Comments

This piece has a lot of personality.
It starts out atonal, ambient, and then moves its way through classical and cinematic. What is first heard is an improvisation around a twelve-tone scale, and in even the latter section the twelve-tone scale is heard in motifs as the music starts to pull reluctantly toward a more tonal center. The twelve-tone scale in the beginning is birthed into tonality by the end. And yes this can all be interpreted metaphorically with the artwork. I’ll leave that up to you.
Inspired by the artwork of the one and only, Heartgrinder:

Thanks to floppypawss for the inspiring bass parts in which he performed on here as well.



Rated 5 / 5 stars

I like that you know what you are doing. Things are not abstract (as it seems) but connected. The only minor thing I would go for is to fade the atonality at 4.15 till not heard. But this is not even a suggestion but a matter of choice. Very well done.

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Phonometrologist responds:

I like to think I know what I'm doing, but really I cannot say that I know how these things will turn out. I sometimes doubt what comes out is really me as I have no idea at moments. Your personal preference was definitely an option, but I don't want people to think the contrast between parts had no connection at all and by thinking that they were two separate pieces.
Thank you for the time as I know it is perhaps even more precious to you in how you spend it.


Rated 5 / 5 stars

The chaotic parts didn't mean anything to me, which may seem like an insulting opinion, but you must understand, that I am a man of chaos; I dwell in darkness and I speak the language of all that people choose not to hear, see and speak of. The very fact that you've managed to create chaos I could not ascribe meaning to, shows how talented you are as a composer. I've listened to the chaotic parts with a willing and curious mind, yet nothing came to me - it was abundant with incoherence, yet melodic and flowing - that's something I rarely ever experience nowadays. You've given me a state of absolute solace in chaos, where in there wasn't a single thought to disturb my experience - I was captured by the torn essence you've painted with sound, and for that, I commend you.

The classical part and the cinematic part is taking nothingness, and building everything out of that nothingness. Something I'm personally very fond of, ontologically speaking. You have the ability to combine emptyness and everything into one dramatic track, thus again, I commend you. It's not very often I come across someone that can draw a melody that has no meaning, as it's a depiction of the loss thereof, in a way of silence. Silence is a golden state; it touches us in ways like looking in a mirror through our ears, and you've successfully reached that state, my friend.

5/5 10/10

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Phonometrologist responds:

For me to get a complementary and well thought-out review from you in my opinion says a lot as I find this to be quite encouraging. The philosophy behind a piece is something I really like getting into, and that alone is what gives part to the listener entitlement of the very thing for which I can no longer keep as my own. For you being a self-proclaimed man of chaos, and for me not to be able to communicate a message to you within chaos is very interesting. When I write these things, it is more of a reflection in how I observe injustice in the world. Or at least the pain therein for those far less fortunate than I. Those raped, abused, and killed for no reason of their own compels me to write. Those robbed of peace and joy from their thoughts deserve others to share the burden. By keeping them into my thoughts, I wouldn't be doing them any favors if I chose to spend my time carelessly on things that don't amount to anything. I would rather use what was given to pay homage in some way that I can.
Perhaps the chaos isn't suppose to prescribe meaning for I cannot find reason for why people go through these things while I have been so fortunate. Arnold Schoenberg constructed the idea of the 12 tone primarily as a way to get rid of the normative in music and try to express music through the human subconsciousness. Expressionism in itself could have been born by the dislocation of emotion from the early twentieth century. Writing this is perhaps a reflection for not to have any meaning to why, but just is, and it is my choice to make something good of it. For me, at the very least, I find meaning in the title for that I find hope.
I have to say that I find your statement to be very profound: "Silence... touches us in ways like looking in a mirror through our ears." Unfortunately many cannot bare it for what that leaves them.
I look forward to your intelligent writings :)


Rated 5 / 5 stars

Wow, This is such an awesome piece. Normally I do not get through 8 minute songs just listening to them, but you had my undivided attention the whole time. The way that this piece evolved over the duration was just astounding. It really reminded me of Philip Glass in a lot of ways simple and very effective in conveying the emotion of the song.

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Phonometrologist responds:

Hey thank you for the kind review. I didn't expect to get such a positive response.
The words you used are encouraging, "evolved over the duration...simple and very effective in conveying the emotion." This pretty much sums up what my objective is in music. To convey a message by taking the listener through a long journey is what I try to do with as much efficiency and effectiveness as I possibly can.


Rated 5 / 5 stars

What a lovely surprise. I was convinced that my visual works went unnoticed.

What an emotive and exploratory piece this is. The beginning of this journey into torment, isolation and maddening hunger instantly devoured my interest. The soundscape and lonely piano set a lovely tone.

If feel the longer this track goes, the more optimistic it gets. It hardly forgets where it came from, though. The overall sound never quite sheds itself of its desperation. Which is perfect.

The inspiration is mutual, friend.

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Phonometrologist responds:

Regarding your art piece, I've grown more attached to it, and I began to see a key aspect within your work that I was quick to overlook unintentionally. Upon first glance, the lines that suggest motion stood out. I then sought to look around the black spot to see more of the detail of the heart, but I was missing the point. I eventually realized what was intended and that was to portray that hole within the hearts of man. Perhaps that is even why you titled it Famine in parenthesis. The coveting, hunger, and desperation takes hold as when one pursues to fill that void but finds it to be insatiable. I find it to be very accurate, and I can say that by personal experience of my coming to that revelation.
I know the optimistic part does seem a little off after what was heard before it, but I felt that the cadence wouldn’t have as much of an impact without it. Kind of like, how does one know sorrow without a reference. Reminds me of Kahlil Gibran as I quote, “Love knows not its own depth until the hour of separation.” Most would take that to be in context to relationships, but I see it as a whole for the love of humanity. Let’s just call that musical interlude a loss of innocence.
The heart beats until life's end, and mine beats in the hope of its continuance.
Thank you


Rated 5 / 5 stars

Creepy but beautiful in its own way. Well done sir.

Phonometrologist responds:

Much obliged. Wish I could insert a gif of The Creep by Lonely Island.