this is prob my fav of yours that I've listened to. but here's some advice. start working with lfo envelopes. meaning like filters so the transitions between synths are more subtle. like instead of just having a synth come in out of nowhere, start it like a count early but set an automation clip with the cutoff so it slowly fades in. this way the synths aren't just out of no where. also, during the automation clip with the cut off you can do a little build up with snare and kick to really make the transition impactful