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This track is for the NGMT contest that's currently going on. It's split into three rounds, and each round has a different theme and challenge. I couldn't take part in Round 1 since I had A-Levels but after I finished them I just had to take a shot at this round. I even asked Echo to help out, so this was a pretty ambitious project, especially since the challenge of this round was to make a track in 3 days! The theme which our tracks had to follow was:
"Biodome - On a new planet or future earth where the surrounding environment is hostile, a biodome is a place where normal life can still exist."

And we had this awesome artwork to inspire us:
http://goo.gl/FwwXa
http://goo.gl/GF4jo

The contest runs on a system of votes; whoever takes part is allowed to give in one vote. 16 people took part, 13 people gave in their votes, and this got a total of 4 votes, which was enough to win Round 2! There were plenty of other tracks who deserved to win though, and to be honest I'm surprised this actually came out on top!

For this track, I used:
East/West Symphonic Orchestra Silver
Omnisphere
Sytrus
Vengeance

And Echo used:
East/West Symphonic Orchestra Platinum
East/West Symphonic Choirs
VOXOS
Cinebrass

We worked like crazy on this track. It was started a day late, so we only had two days. Over the course of those two days I worked on the track for a total of about 15 hours, and that's not even factoring in the amount of hours Echo worked on it as well!

Props to whoever got the object-oriented programming reference in the title by the way :3.

Hope you enjoy it!

Log in / sign up to vote & review!

So rich in atmosphere this one... feels spacey, surreal, otherworldly, adventurous, initially futuristic, then in the second half almost more so medieval... though the structure/beat's the same on both peaks it's fascinating how far apart they sound.

Wouldn't have noticed the limitations in the second part without cormy1's review, it does feel a little constricted at its highest point, but still so great.

Vibrant worldly (or other) wonders in audio form... amazing work with this.

-cd-

I can't give 5 stars for 2 reasons: It falls off too quickly, and the climax is too strained, to the point of clipping. I don't feel as though the bass was drowned out, but I do feel like the treble is fighting with itself, you have a ton of instruments with intense brilliance so it really turns into a wash of pseudo-white noise. Pulling back on the hi-hats and some of the reverb/sweeping effects would've helped. SkyeWint is right about the middle interlude, it is a bit disconnected and maybe should've seen more of its own development, but I'm okay with it, it clearly marks the build into the next big phrase. He's also right that the melody doesn't get much evolution but I don't really think that takes away from the song either.

This is insanely well made; almost sounds like something out of the new Doom game, just a little more tame. If I used this for something, would that be fine with you?

I can hear Omnisphere and Sytrus clearly all over this, and it sounds great. Atmosphere is fantastic, and you two are working together almost seamlessly here. The only synths that stand out negatively are the choir, as I can hear the harsh, robotic syllables. This, however, did not destroy the atmosphere, which is an achievement in and of itself.

The transition around 4:30 is fabulously implemented, although I feel it was a bit of an abrupt conclusion to such a spacious composition, much like the staccato strings in the lower register also seem somewhat abrupt. I believe that adds to the theme of dangers existing outside the biodome, however. You both did a very good job of conveying theme.

I wish I had more to say about this piece technically than praise, however, praise is well deserved, even with the few technical flaws here. Very nice work, the two of you, and thanks to Step for pointing me toward this piece!

Step responds:

Thanks for dropping by, man. I'm flattered by all the praise you've given to the atmosphere. I don't consider myself particularly good at making atmospheres so it's great to hear there is hope for me after all lol.

Choir is kinda robotic :(. It's so hard to achieve a good choir through VSTs.

I assume you mean the 3:40 transition, not the 4:30 one? In which case, I am, to this day, torn about that ending haha. Some people tell me they'd end the track no other way, and others say it's a rather lame/abrupt way to end the track. I wanted to kind of cull away the "epicness" and let the piano synth play on its own for the ending, but maybe that wasn't the best way to go.

Thanks a million for the encouraging and insightful review.

Okay... I promised I would do a review for you on this song, so here we go. I plan on making this a good one and worth your time. You give everyone a kickass review, you don't give a "This sounds good LOL" or a "Nice work man!" you pour everything into it. So I'm going to give you the best I can give! I have heard this before and I thought it was near perfect, so it might take me a few listens to find some flaws... but I will find them... even if I die trying.... WELP HERE WE GO ^_^

First off, omnisphere is freaking amazing. I feel like the reason you asked me to review this song is because you are trying to convince me further to buy omnisphere, and I think the way you use it's instruments on this song alone may have pushed me over the edge to where I am hanging on by one finger (my lack of money and CCC2 are keeping me on barely) But the more I listen to it, the more I want to get it x_x. This song is so atmospheric and creates a world unlike any other, the elements that you pull into the song from synth pads to what I thought would be a secret agent song, BUT NOPE, you went to some ethnic song to cinematic to secret agent for real, to... an atmosphere and vision that I can't describe. There is so much to this song, so many dynamics in composition and instrumentation and playing. I think I may have hit Nirvana while listening to this it is so immersive. And you two made it in just 3 days?? I honestly have nothing but praise for this song.

Let's go into the composition. I REALLY wish I hadn't heard this before reviewing so i could really just lose myself completely when listening to this (best way to listen to music in my opinion, and it's partially a reason why I think electronic is so awesome, it's very easy to just fall into the atmosphere created). But anyways, the start of the piece makes me feel nothingness and just going no where, I'm actually a little stuck while writing this review because I don't know what else to say... The use of the symphonic orchestra strings in the beginning as pads was a really nice touch. They can blend REALLY well with the electronic genre, and I personally think that you nailed it. The piano gives off a bit of life to the song and it really makes me feel like the song is growing as a person... is that weird? HA I WAS KIDDING? HA? The little radio effect you put on the piano makes it feel like it's smaller than it really is and really does have a great build into the next part with the heavier electronic drums.

The song has a bit of an evolution to it. Start off in a world of mystery then a build in evolution, and discovery. The electronic drums bring in the feeling of evolution and progression, and the acoustic guitar really brings in a very interesting vibe to the song. It was an interesting choice as well... On paper if you were to play a song like this and say "I want to throw an acoustic guitar in there" then I would probably disagree or let alone even try it, but it actually worked beautifully and it totally threw me off as to where the piece was going to be going. I think the effects you threw on it really made it sound nice and blended well with the track. The transition out of it with the sliding guitar into the next part is just awesome with synth going doo dee doo dee doo dee (1:46) The doo dees was playing earlier in the song and playing it at the end there after that part was an awesome idea. (I have no idea why that stuck out with me so much)

What's great about this song is, no matter how different you make it, it stays to it's electronic/cinematic roots. I think it's great when songs change things up and go from one genre to the complete opposite, but here I think the fact that you kept it semi electronic the entire time was a nice touch. And of course for the competition with the Biodome, the song should stay electronic and it really does fit it perfectly.

On to the next part! These transitions where you just let the song sit and play some synth pads in the background are really showing off the songs compositional dynamics and make the bigger parts of the song pop way more. Great compositional technique there good sir! And it isn't in a way where I am just waiting around for the next part to come or I am listening to just one chord, there are little chord changes here and there to immerse me into the song and change things up for me. And that really brings a nice cinematic element to the entire track.

I love the staccato strings (cello?) coming in at 2:05. Like I just said two sentences ago, it brings in that cinematic feel to it. However I think that maybe they could come out a little bit more. They seem to be very quiet and are a great addition to the song, so why not turn it up a bit more :p I love how you bring the piano back in at 2:16, it's not the same melody, but it gives off the same feel as before. Sometimes even putting in the same exact melody as was played before is cool because people have heard it before and it gives them a connection that they had earlier in the song. It's obviously not something they would get hooked on, but you get what I mean.

Although you change up the melody and the instruments, I still notice a little bit of the same theme play throughout everything in the entire song. That is some nice composition right there. Changing up the melody a little bit and spreading it across more instruments and such. Again it gives people that little connection from one part to the next, and maybe that is why this song flows together so well, because everything can be connected in one way or another.

Okay this might be a little nitpicky, but for some reason, the brass at 2:27 sound like they are a little too lonesome. They do pick up eventually but for that one moment they sound like they are a little too by themselves and there isn't too much going on there. There is a lot going on, but it feels empty when it shouldn't be. Maybe just adding in a little bit of background instruments like you did throughout the rest of the song would be a nice touch. The little background noises are so subtle but at the same time they have such a big impact to the final piece. It can really make or break the piece. Again, just nitpicking a bit. The drums picking up more while the song plays is just freaking awesome man. It does it so subtly too which is awesome, the first time listening i caught myself bobbing my head more and I didn't even know why.

The ending is just epic man. The part with the choir at 2:50 was awesome. The only thing that bugged me was that the last part didn't go on long enough! It was such a good part and it deserves more time! Keep on building on it as that part goes. A key change could have been epic, the ending is definitely the most cinematic part of the entire piece and it would have tied in greatly! Maybe you could have played the ending play once with an instrument replacing the choir, and then have a key change where the choir comes back in. Just an idea! And of course, ending with a solo piano and synth pads. It gives me an empty feeling, the piano ending is a little cliche, but it works so well (hell, i'm guilty of it too :P). It really does work well and no one can deny that XD

Hey guys, I had a blast reviewing this song. The melodies were powerful and they really speak to the listener. The song changes up in ways that I can't wrap my head around. I just had some small little problems with the song, but it's the nittiest of the picks that I am making on the song :p Just some stuff based off what I might have done differently really. Most of the track sounds very realistic (where there was orchestra anyways) and the electronic parts were mixed in very nicely. There are some parts throughout the song where some instruments sound very quantized like the staccato strings at 2:05, or even the spiccatto strings at 2:16. Well I've been rambling on quite a bit, but I think this is an outstanding track. Great work guys, this is probably my longest review yet, and there is a lot of fluff, but I had a lot of fun doing it! Oh and btw, throughout all of the times listening to the song, I never really got bored of it, so that's another plus. Nice work guys, you two work very well together!

5/5

-Ryan

Step responds:

OK wow this is just crazy. You promised a longer review than your previous one, but I expected maybe 3 or 4 paragraphs max and then BAM, 10 HUGE PARAGRAPHS (and 5/5, and -Ryan) OUT OF NOWHERE. This is incredible and you are absolutely awesome for writing what seems to be the biggest and most detailed review I've ever received.

I don't even know where to start! But a detailed review like this deserves a detailed response so HERE WE GO.

"First off, omnisphere is freaking amazing."

I know ;_;. The reason I asked you to review this wasn't really because I think you should get Omnisp-screw this, of course it was ^_^. Well, partly, at least. Omnisphere is just the best thing since sliced bread and while it doesn't help that much for pure orchestral or tracks which are supposed to sound realistic, it has such a huge variety of sounds that it's impossible for someone not to find a use for it.

"This song is so atmospheric and creates a world unlike any other"

I'm proud of the atmosphere in this track and I think that it's so atmospheric compared to my other works because of the fact that I originally intended for this to be ambient, but then halfway through I kinda realised I had no idea what I was doing in the genre (a notion which was verified once I made the track explode with over 20 instruments playing at one go towards the end).

"But anyways, the start of the piece makes me feel nothingness and just going no where"

Nothingness and emptiness is totally something I was aiming for, mostly in the intro and outro. It's such an awesome feeling/atmosphere to depict in a track. Glad you caught that message!

"The use of the symphonic orchestra strings in the beginning as pads was a really nice touch. They can blend REALLY well with the electronic genre, and I personally think that you nailed it."

Strings are some of the most dynamic instruments I find. Not as much as piano, of course, but I find that strings can work in a lot of genres.

"On paper if you were to play a song like this and say "I want to throw an acoustic guitar in there" then I would probably disagree or let alone even try it, but it actually worked beautifully and it totally threw me off as to where the piece was going to be going."

I'm not entirely sure why I added that acoustic guitar. I think it might be because I'm a bit more adept at using real instruments than synths, so you'll find that the instruments that carry the melody in this track are always real instruments - strings, brass, piano, guitar, etc. I thought it would be better to play it safe in that department because whenever I make songs whose main instrument is a synth it often doesn't sound that great (unless that synth is a square synth but it's PISS EASY to make a synth sound based out of square waves to sound awesome).

"synth going doo dee doo dee doo dee (1:46)"

Oh I'm happy you noticed that! It's an FL Studio preset which I heavily detuned and distorted. Wasn't sure what to do with it so brain was like "DOO DEE DOO DEE DOO DEE" and I was like "k".

"What's great about this song is, no matter how different you make it, it stays to it's electronic/cinematic roots. "

I don't usually have genre switches in my tracks (or if I do, they're usually forced). Although I do try and have a few mood switches, which I hope this track had!

"And it isn't in a way where I am just waiting around for the next part to come or I am listening to just one chord, there are little chord changes here and there to immerse me into the song and change things up for me.

Hell yeah, this is what I wanted to hear. Ambience is hard for me to make since I'm constantly worried that if I keep everything low-key and without much happening, it'll get boring.

"I love the staccato strings (cello?) coming in at 2:05. Like I just said two sentences ago, it brings in that cinematic feel to it. However I think that maybe they could come out a little bit more."

That's Echo's part. I agree, he should have turned them up a little more haha. They are pretty awesome. Maybe their rhythm might've clashed with the rhythm of the drums if they were louder, dunno.

"I love how you bring the piano back in at 2:16, it's not the same melody, but it gives off the same feel as before."

That's another one of Echo's ideas. He has a habit of using piano in quiet sections and I shouldn't be complaining because he generally does a good job with it haha.

"Okay this might be a little nitpicky, but for some reason, the brass at 2:27 sound like they are a little too lonesome."

Oh right, now that I think about it that's a good point. I felt like Echo's brass work is awesome but sounds a bit empty and dynamically flat at times.

"The drums picking up more while the song plays is just freaking awesome man."

Woo thanks!

"The ending is just epic man. The part with the choir at 2:50 was awesome. The only thing that bugged me was that the last part didn't go on long enough!"

Yeahhh, you're not the first to mention this for sure. I actually think you're like the fourth or fifth haha. Totally my bad.

"And of course, ending with a solo piano and synth pads. It gives me an empty feeling, the piano ending is a little cliche, but it works so well (hell, i'm guilty of it too :P). It really does work well and no one can deny that XD"

Yeah man it's entirely cliché but I COULDN'T HELP MYSELF ;_;. I had to do it, and it's been getting mixed opinions. Some people hate how it ends, others say it's the best way to end the track.

"it's the nittiest of the picks that I am making on the song :p"

Nittiest of picks... I'm definitely stealing that one.

"There are some parts throughout the song where some instruments sound very quantized like the staccato strings at 2:05, or even the spiccatto strings at 2:16."

Yup - johnfn and SkyeWintrest mentioned the quantized thing. Certainly an oversight on Echo's part. What a dumbass :3.

"Well I've been rambling on quite a bit, but I think this is an outstanding track. Great work guys, this is probably my longest review yet, and there is a lot of fluff, but I had a lot of fun doing it! Oh and btw, throughout all of the times listening to the song, I never really got bored of it, so that's another plus. Nice work guys, you two work very well together!"

Yeah, I really don't know what to say other than THANK YOU SO MUCH for the incredibly detailed and helpful review. That was awesome and I feel like all the cookies in the world wouldn't be enough to repay you.

THANKSSSS.

Credits & Info

Artist
Artist

Listens
9,476
Faves:
73
Downloads
574
Votes
37
Score
4.85 / 5.00

Uploaded
Jun 10, 2013
3:45 PM EDT
Genre
Ambient
File Info
Song
9.8 MB
4 min 17 sec

Licensing Terms

Please contact me if you would like to use this in a project. We can discuss the details.