Ahh, manufactured nostalgia: High bell tones, washy-sizzly gated reverb, that one phasey synth that reminds me of tinkering with FM synthesis, hard left and right panning — all combined with contemporary sensibilties, great samples, PHAT BASS, and tasty stereo bus compression and filtration. I think that one super fast arp resolves on F minor at the end with F Major in the supersaw. Was that a creative decision? This track is incredible, evocative in all the ways you inteneded.