Gymnopedie in 4/4 at the start confused me for a bit but holy crap this song is amazing. I love all the changes which happen throughout the piece and how each section doesn't repeat more than once. Feels almost like a journey.
Author Comments
I was practicing Erik Satie's classic: Gymnopedie no. 1 <3
Because, the decades bind us all.
Let us not forget.
Atoms of Æmber
The fire still burns.
The sweat still dews.
I got a bit disinterested (I'm bad/impatient at learning other peoples music)...so, I stole his left hand, and after some noodling with the original melody, made my own melody. Just trying to live in his mind, in my own way, for a time, in our current times. The song slowly evolves from that inspirational source, more or less, in the order of my abstracting.
Am I stealing? Am I a fraud? Is this a remix? A cover? Is this like those cheap imitation tracks you hear in commercials that are just different enough to evade paying their dues? A new form of Muzak? Did I ruin it? Did I just wanna touch the sun? Was I just having fun? Does anything really even matter? Selfish admiration?...
¯\_(.-.)_/¯
Back to Dark Souls 3, baaaai.
LLAAPPSSEE responds:
I tend to sorta produce in a forward momentum kinda way. Thank you for listening. :)
Not too sure but it's probably the non lapsyness
One of your older tracks at the moment im writing this but DAMN is it good. I really love the sounds in this one especially in the first half. This is really good to listen to while just chilling and laying around aswell. I love how it speeds up ~2:25 and becomes a little more intense and fast paced. I dont know if i can or even have the patience to make a 5:30 minute long level but this makes me consider doing so. In short, great song I absolutely love it. Probably my favorite of yours now that I think about it honestly.
LLAAPPSSEE responds:
I really appreciate the kind review, man. Thank you for listening.
Long song...did you say?:
https://lapse.bandcamp.com/track/a-cure-for-consciousness-2
heh, ye
High quality audio recording
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LLAAPPSSEE 
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