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Enter the new chapter in the Submachine saga. Explore the temple and the secrets hidden within it's ancient walls.
I can´t even discribe how good all this games are.
I would play like 20 more games of these if there would be.
Wait, I have to pay for a resolution so I can actually play the game? Are you by any chance employed by EA?
FYI THERE ARE SPOILERS IN THIS REVIEW IF YOU DON'T WANT TO KNOW DON'T READ THIS!!!!!!
Well.....THAT sure was INTERESTING! I have played through all of these games and always enjoyed them whenever they come out. I have loved the story, loved the gameplay, and loved the atmospheric music. I managed to find all the secrets and the messages they unlock (SO SPOILERS!!) , and I have to say it changes a few things about what I was expecting to happen, specifically encountering Murtagh and Elizabeth, and the fact that they are DEAD! That leaves with the undeniable question of .....WHAT NOW?!?!?! Without them how is Sub 10 going to end?(obviously with our escape, duh!) The only thing I can hope for is Mateusz to give us Submachine Fans mercy by maybe giving us Sub 10 later this year, rather than making us wait for almost another 2 YEARS!
HOW DARE YOU PEOPLE GIVE THIS 4.5
YOU KNOW HOW LONG THIS SERIES HAS BEEN GOING ON????
YOU KNOW HOW COMPLEX EACH ONE IS??
CAN YOU DO BETTER?
NOW WHERE'S YOUR STUPID FIVE STARS YOU ARROGANT SCOUNDRELS
One of the most interestig cerebral point n' click adventures I've played. Like the rest of the series, the difficulty in this game is fair and legitimate, it comes from the intellectual complexity of the maps itself rather than from endless sessions of trial and error or pixel hunts like in many other games in the genre. The game sure is a lot easier than the rest of the series from my experience, given I hardly had to consult walkthroughs at all.
The graphics are nice to look at, composed of very well made sceneries and objects, and I love the ambient music and sound effects that go with each action. The graphics, sound and music in this game combine effectively to create a cerebral, mysterious and magical atmosphere.
The gameplay consists of a challenging point n' click adventure with complex puzzles, mostly revolving around making contraptions work to operate a certain function (such as opening a door or a container), and some nice secrets to unveil, just like in other games of the series, which makes for an excellent combination of features for a fulfilling adventure experience. I do feel like this game was a lot easier than the rest of the series, but it was still quite a challenge, and I enjoyed it while getting my intellect tested at the same time. I particularly love how the Karmic Water item is used through out the game, sometimes generating cogwheels to be taken, sometimes generating a machine to make function and sometimes opening gates to different places.
Also, the controller that teleports you to a different dimension with the same map structure, present in other Submachine games, is also used extensively in this one, adding an extra layer of challenge (some special items and puzzles will only appear on the right dimension) and surprise (it's fantastic how everything becomes clear once you finally reach the eight dimension). The changes caused by each dimensional warp are this time around a lot more subtle (the maps remain basically the same, except with slightly different features), requiring more attentiveness to detail for the most part.
There's also the introspective theme, the ominous, deep messages of the second-to-last chapter in the Submachine series, the story about Mortaugh and its seven dimensional arms, that is all pretty kickass. I can't quite make out what it all means, but that's probably because I haven't followed the series from the start, and apparently I'm missing out on a lot.
The only problem I see with this game is that unless a person knows what that remote controller thing is for (which would require said person to already have played previous games in the series), they'll be a little bit lost, since the button presses will apparently have no effect whatsoever except in very specific panels, so they will take a while to figure out they can change things by pressing the buttons. Also, the eight dimension (the missing button) only comes up when it's already too late, and it can only be used to unveil a couple of secrets and walk to the end of the game.
Welcome to the theatre of your mind, Dale
ANIME-Y HIGHSCHOOL STUPID OTAKU ADVENTURE ACTION EXPLOSIONS YAY
Use your mouse to find a way to the exit. Grab the key first!
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