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Dijard showcases the highlights of his brand new store... or at least tries to.
All visual and animated elements (exceptions noted below)
Additional sound effects
Voice: Lugarian Guard
UV map body template
Avian model template
-- Seth Freud --
Royalty free satellite models procured from NASA.
lol nice ;D
Wow the animation is a far cry from your earlier works. The facial expressions, body movements, I especially liked the ear movements. I could have muted this and the body language would have been enough to express Dijard's emotions.
The eyes are also greatly improved. You definitely put a lot of focus on to getting Dijard just right. Excellent anthropomorphism. I am very impressed. Of course a few things could be buffed out, the mouth movements/audio sync seemed a little off, but still completely watchable. The owl alien at the beginning had a weird hair movement, it seemed off. I've also noted you're using better textures. Another improvement could be the lighting... but maybe it just seems off due to the quality of the video.
I'd actually go a far to say that the fluidity of your character movements is currently surpassing that of Reboot. Just a few graphical tweeks and this will be better than Reboot. Please continue the awesome.
Will do! And you can attribute a lot of the improvement to fans who pitched in to help me get a modern-day workstation. There's a lot of doors open now and things are only going to improve from here.
Fu's hair movement for this video was done by hand; I'm toying with automatic dynamics solution to take care of that as I want to develop a means of getting flowey hair movement. There's a learning curve for that, but it'll get put in place eventually.
Thanks for watching!
Nice job guys. It's good to see you back in action. ^^
Thanks! We're glad to be back!
This is hilarious! All commercials should be like this.
Amazing 3D animation and voices are cool.
How will Kratos survive the Night?
A story about a kid and idk...
A short muisc video based on the classic song "The Window Cleaner" sung by George Formby
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