It is the defining photo of the Elian Gonzalez saga. A machine gun-wielding
federal officer points his weapon at a six year old boy. The photo takes on
a life of its own.
At Kinko's in Coral Gables, protesters duplicate the copyrighted photo late
into the night, and laminate their copies so that they become placards.
They are held up to television cameras outside the White House; outside the
US Justice Department; in store windows from Hialeah to downtown Miami.
Then, these images are again rebroadcast; republished. You cannot escape them.
The Associated Press, AP, an organization of news organizations, holds a
copyright on the picture, taken by an AP photographer, but it has
apparently made no attempt to assert its rights against the thousands of
infringers in Miami's Cuban community.
"We can't get them all," says David Tomlin, assistant to the president of
AP. Tomlin is fielding questions about his threats to webmasters that they
may be criminally prosecuted for a satirical video that used that defining
photo, and others, in a Monty Python-style sendup of the Budweiser
"Whazzup" commercial.
It was Tomlin who wrote a threatening letter to sixsite.com, and another to
newgrounds.com complaining that the video parody constituted "unauthorized
defacing and display of AP pictures on your site there."
"We'll go for whatever it takes to get our material out of your hands.
Please acknowledge immediately that you understand and are taking down the
display of AP pictures at the address above," Tomlin wrote.
It was as if the AP was holding up a mirror to its own copyrighted picture.
Machine-gun toting marshals versus a six year old boy; the largest
newsgathering cooperative of the largest media outlets in the world, versus
two little websites and a video parody.
Sixsite.com capitulated immediately, but it did something truly remarkable
that can only happen in an Internet world. It replaced the parody video
that used AP's picture, with AP's threatening letter. There were tens of
thousands of hits per hour from websurfers looking for the video, when they
found what appeared to be AP's suppression of it, many were angry, and they
called Tomlin's telephone number to try and tell him so.
"The reaction to the letter has been breathtaking, the disruption has been
great," said Tomlin, still at work at 6PM defending AP's action.
"If we don't defend our rights, we won't have them."
The Internet is text based, so it is relatively easy to fake an AP
dispatch, so AP has been fielding a lot of complaints from people who read
"AP material altered slightly or with changed headlines."
Some are spoofs, some are the work of people with axes to grind, but the
complaints are all from people who were fooled, and usually aren't happy
about it.
These "false dispatches" have troubled the AP for a long time, because text
messages that can be broadcast to hundreds of thousands of people within
seconds aren't a new thing for them.
What is new, is the fact that anybody in the country armed with an Internet
connection and a website has the same ability to be heard within a few
hours, from coast to coast as the AP has had for nearly a century.
Then, also as a part of the Elian Gonzalez debacle, the AP was accused of
doctoring photographs. Much of the discussion took place on the Internet.
It was also a popular talk radio topic.
So the Associated Press then discovered its copyrighted photographs on the
Internet that were also doctored, and they lost it. These were "bizarre
abuses of AP material and the AP name."
Things were much easier for most of the last century; the only people who
had control of mass communications were either licensed by the government
or were big businesses, like newspapers or motion picture studios. So if
you had a product like a news service, you had a pretty limited list of
potential clients, but real good control over usage.
The Internet gave us all a private national soap-box, but what is most
damning to the Associated Press is the 1994 Supreme Court decision in
Campbell v. Acuff-Rose.
We're graphically literate in the new millennium, and the manipulation of
words and images is no longer the special province of a few; that means
things that once could be trusted, are now suspect.
Posted February 28, 2000 by Jerry Trowbridge