At 2/8/06 10:54 PM, red_skunk wrote:
At 2/8/06 10:33 PM, IllustriousPotentate wrote:
Yes, substances are a crutch. A truly talented artist would have the imagination to produce his works of art in a clear mind, or at least, a mind free from substances. Lesser artists could use substances, then, as "artificial imagination" to make up for their shortcomings in that department.
See, that's the thing that I'm trying to address. What makes you think that it is making up for shortcomings? There is a leap of faith there that I don't buy. Van Gogh was an alcoholic and abused absinthe, it was a factor in his art. Are you saying that he was using it to make up for a shortcoming in his creativity?
Yes.
Does this make him less of a genius? No, I don't think so. Van Gogh was an incredible technician. He could paint as realistically as Renoir, and it wasn't until later that he developed his "style" that made him legendary (mostly posthumously). If he used alcohol/drugs to shift his peception in such a way that he could come up with this new style, whose to say that it's not just another tool?
I use SIbelius to write music. It makes up for the distinct creative shortcoming that I am not a very good piano player, and my mind is not wired well for remembering long strings of notes. Does that, in and of itself, make the music I write somehow artistically LESS relavent? Or is it the final product that is the only true way to guage the impact of a work?
I think many artists, who are excellent technicians, but lousy creativists, DO use substances to give them that creative catalyst that can spawn a great work of art. I don't believe that this is always the case, and I won't even try to estimate the percentages that do and don't. But I believe it happens. I also believe that the same things that can drive a creative mind to great work can, independantly, drive them into substance use and abuse.
For me, I work best without the drugs. Others I know use them, as a painter might use removing his glasses, as simply a way to look at things in a different way... and I know those who use it as a crutch. But the end question is this: Does it really MATTER where the inspiration came from, if the work, itself, is worthy of admiration?