Here's a story I've been wanting to write for quite some time. I don't write often, so I was hoping taking a class for this would be the best way to force myself to get it done. The good news is I have a lot written. The bad news is that it's due in a week and a half and my word limit is only 3200. There are a lot of really specific things in this story that are intentional and some really specific things I want to change. For instance:
For the most part, none of the characters in this story have strong beliefs, and are mostly driven by environment. Both protagonists take steps that radically alter the power structure of the developed world, but they aren't zealots or activists; rather, they're just curious. Also, most things that allow them to accomplish what they do are by ridiculous coincidences. The idea here is to intentionally portray how improbable change actually is. The one precaution I do want to take is to make it so that the characters are aware of how unusual the circumstances are; they are not expecting to be successful.
Rather than explicitly explain the story's setting, I want to sidle it in with the plot in order to streamline it and to keep below the word limit. This has led to some instances where the text itself is a bit unclear, so I'm working on making everything clear in as few words as possible. It might be beneficial for me if some people read the story before my setting and breakdown so that I have a couple people that can give feedback only on what I've written.
The word limit has also crunched a lot of plot points together and made some of the scenes do little more than service the mechanical aspect of the plot, which is frustrating me. For instance, when Trent finds out Cynthia's age, his to interrogate her under some very shady circumstances happens unnaturally fast. This decision needs to happen in one scene but I'm at a loss for how I'm going to make that happen. Another example of this word crunch is that most of the action in the beginning of the story happens off-screen; the reader only gets explanations of what happened from the main characters talking afterward. As a final note, I acknowledge the absurdity of this story but again much of the crudeness is due to the word count. I don't have time for the narrative to unfold at a normal pace.
SETTING:
In the future, humans live in subterranean biodomes which collect, concentrate, and regulate solar energy, some of which shines directly down on the city, and the rest of which is directed into solar panels to power the city. Motorized mirrors regulate internal temperature and direct solar energy. Portland, Montreal, and Reykjavik are among the cities that have moved underground.
Before the events of the story, climate change accelerated, and heat waves reaching 160F wiped out most of the planet, with rolling blackouts occurring from air conditioning usage. The few that remain above the surface were gunned down attempting to get in.
Living conditions are not miserable, but labor is, with the average work week being between 70 and 90 hours.
During the (short) temperate springs and falls, workers clean the glass and solar panels sustaining the city. Given the right weather conditions, people roam the surface, but long journeys are made impossible due to the lack of transport, geographical knowledge, and time.
BASIC SUMMARY:
Chapter 1 - Trent is a young man loading cargo in Portland. After falling asleep during a long shift, he wakes up to the turbulence of the plane landing in Montreal. He panics and peeks out, only to see his ex Cynthia arguing with the pilot. After realizing he has witnessed a confidential discussion, he sneaks away.
Chapter 2 - Trent reconnects with his friend Elliott while cleaning the solar panels on the surface. On break, they explore and find a message in a bottle.
Chapter 3 - Elliott talks to Trent about the manifesto, which mentions Cynthia as a corrupt billionaire 50 years in the past (as well as a corrupt political climate at the time.) Trent mentions that his grandfather said similar things about Cynthia's age, but that he didn't believe him due to him having Alzheimer's. He then calls Cynthia to hook up, using a BDSM scene as a false pretense for gathering information.
Chapter 4 - Trent talks with Elliott after his meeting, explaining the usage of anti-aging medication by aristocrats and his decision to kill her with a heroin overdose. They discuss a unique opportunity to confront the pharmaceutical suppliers and shift the balance of power.
Chapter 5 - Trent, impersonating Cynthia, sets a meeting with the owners of the pharmaceutical company in Portland, posing as someone picking up anti-aging meds on her behalf. He and Elliott ambush the couple. Elliott takes one (Edward Addison) hostage while the other (Gertrude Addison) is forced to “introduce” Trent and to a defense contractor (Rupert Sherman.) Note that all three of these people (and Cynthia) have some degree of commonality because they are a select few people who do not age and are more or less part of a conspiracy that keeps the medical technology secret.
Chapter 6 - Trent kills Gertrude and fatally injures Rupert. As Rupert flees, Trent lets Elliott into Rupert’s mansion, implying Edward has also been killed. They find Rupert attempting to destroy the biodomes using a weaponized satellite system, in order to take the world down with him. Trent attempts to stop him but is stopped by Elliott, who argues this is the only true change that could have happened.
Chapter 7 - Trent, now in Mt. Adams, recounts his escape in the helicopter and the signal he received from the mountains as he watches the city’s destruction from afar.
THE ACTUAL STORY:
ONE
The force of landing jolted Trent awake. Aside from his aching body, the first thing he noticed was that he was in a small, dimly lit space, and everything was still. The second thing he noticed was that his ears had popped, and it was then that he remembered he was still in the cargo bay. Though grogginess prevented him from panicking, he could tell he was in trouble. By the security light in the corner of the bay he could make out the shape of different packages around him. Evidently, the sixteen hours he’d spent loading crates had caught up to him, and he’d expired in the middle of his shift.
The hatch was locked. His phone was dead. He had become an unwitting stowaway on the flight, and now he was trapped. Unfortunate, but not surprising. Shipments were usually behind schedule, so if nobody could reach him the pilot would rather take off than risk further delay.
Trent had raised his fist to pound on the door when he heard voices coming from outside.
"This isn't just about it being late, it's about customer service being complete garbage! Do I need to personally audit every fucking order I make?"
"I'm sorry ma’am, but I'm not in control of-"
"Well who is!? I've contacted Addison multiple times and he doesn’t do shit! I’ve already wasted too much time dealing with this already. Give me my order and leave."
Trent took a step back and ducked behind a crate. Surprised as he was, that voice was unmistakable. He had a fling with Cynthia in flight school. While they hadn't broken up on bad terms, he knew better than to make his presence known when she was angry, lest he get caught in the crossfire. As the hatch opened Cynthia came into view, along with a short, stout man. Trent watched from the shadows as he loaded several crates onto a dolly and began wheeling them away, an impatient woman following at his heels. By the time they were out of view, he had already decided not to stick around long enough to get the full story.
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