At 11/5/14 11:00 PM, Back-From-Purgatory wrote:
Trial and error mostly. Along with a healthy dose of experimentation.
This.
Listen. Listen to everything you make, listen to everything you hear. Learn to use your ear; it is your most valuable instrument and your most reliable tool as a composer/producer/songwriter. Try to hear the different components of a song... rhythm, bass, melody, harmony, tone, color, mood, timbre, etc.
Seek out a basic understanding of theory concepts- chords, keys/scales, non-chordal tones/passing tones (for melody writing), and cadences are the basic fundamentals of the language. Understanding those things, combined with your ear, is how I learned and it's the way I would recommend. It was a year after I started that I finally took a theory class and learned about what chords really were and how the technical side was, but what was surprising was that my ear had built up a very similar language to western theory instinctually and automatically (noted that I had been doing music-related things for several years before that).
What should happen is eventually your ear will get to a point where you can go and play a chord and feel where you want it to go and then bring it there and keep building on that. Open up your DAW, uncover your piano, pull out your guitar or horn or whatever and just experiment. See what happens. Practice shouldn't be sitting in a room for hours playing scales, it should be PRACTICal- learn how your tool works, experiment, play around. When I first started in LMMS, that's exactly what I did. I noodled around until I figured out what knobs and tabs did what and which things to touch and not touch. :)
All that being said, your ear doesn't just help create music, it also consumes music (and spits it back out). Try to listen to some stuff you wouldn't normally listen to that's related but outside of your typical listening tastes. "You are what you eat" is more like "you write what you listen to".
I've found writer's block is really just a fear of what you write not being as good as you want it to be. I took a class on creative writing, and we'd spend the first few minutes writing anything. It didn't matter what it was, it could be nonsense words, just repeating things over and over again, but it was writing, and that's what mattered. What came out by the end of those warmup sessions was some really great stuff. Try applying this technique. Sit down and just put notes in. It doesn't matter what notes, just put them in. Then put some chords over them. Keep writing, don't look back, just keep going, and eventually things should ease in. Then you can either revise that or go and try to start another thing or create something that is a variation on what you created. I've done this once or twice and found that it works for me.