At 8/24/14 07:34 PM, Exilious wrote:
Okay.
Personally I feel that while different build ups, white noise, risers and all that are great tools in a transition, it's best when the music naturally flows from one part to the next (unless of course you want a jarring/surprising transition), and the other stuff just enhances the effect. Something that helps me with this is trying to combine aspects of the two separate parts into a new transitional section. For example if you have a really prominent drum hit or stab that comes in in the second part, you could subtly bring it in so it's not too noticeable before the transition, then bring it to the forefront after the transition. This works with any aspect of the music too, depending on the song and the effect you want.
Aside from that, if you can't manage to link them musically, or if you don't want to, silence can be a wonderful thing, especially if your goal is to surprise the listener.
I tend to shy away from using pre-made risers and things of that nature because I find it too tempting to just slap a cool sound between the two parts and leave it at that, but that's just me.
Hope that helps. I struggled with transitions a lot when I first started, and still do sometimes. Those things up there, as well as just continuing to try random things helped me!