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At 3/3/13 03:07 PM, sweet21 wrote:

At 3/3/13 02:50 PM, Braiton wrote:

At 3/3/13 02:46 PM, sweet21 wrote: Not sure if this counts but here's the pachelbel rant. My music teacher showed me this one.

A similar one was posted a few pages back.

Do I win anything?

No.

http://sphotos-d.ak.fbcdn.net/hphotos-ak-ash4/488351_3558711 14492502_1344656068_n.jpg

LOL

At 3/2/13 06:13 AM, Squeezums wrote:

At 2/28/13 03:11 AM, Axel7 wrote: Ah, yeah, also...let's all admit here that we're hating on skrillex (yes, I do it too) cuze he's mainstream.

Yeah, you're the problem with electronic music today. Hating on someone for no reason other then the fact he's big. Obviously only listened to one track of his.

Tell me how in a million years this, sounds anything like this or this.

...seems to me like you picked that one sentence and didn't read the rest ._. ... there is reason behind it, in fact.

At 2/8/13 05:27 PM, wandschrank wrote:

At 2/8/13 05:16 PM, DJDela wrote:

At 2/8/13 12:43 PM, wandschrank wrote: Talent helps, I guess. A lot.

I mean, why would you even have to know that, if you're making music electronicaly?

I guess it can help with the composing process if you don't compose intuitively. I knew / know a lot of theory and I can also read / write sheets, but I often find myself composing solely by ear instead. My results are often better if I ignore all the theory. But that's different for every person, I guess. Some people need structure.

For me, Knowing the theory WOULD make the difference between taking 5 minutes to create the note sequence I want...and taking 30 seconds (instead of looking for the note on the piano roll, I'd just clickety it then know instently which one to click next...then get creative with it knowing that certain combinations are meant to work together like that for certain feels)

Heh.