This is great, but it looks like it could only go so far.
First of all, it probably wont' improve that much with L/R stereo sources like music.
However, I could see it being useful for film. The presence monitors are probably EQ'd versions of the surround speakers with extra reverb and delay on them. The subs on the side probably take the low end short stabs like explosions and pan accordingly. However, with these I don't see a big point of having ANOTHER two subs up front, unless they run at different frequencies.At any rate, wouldn't the subs be just killing all the other frequencies? Maybe if they are turned down significantly.
Kind of makes you wonder. If they were going to add all those speakers. Why didn't they develop a center speaker on the CEILING right about the listening area?
The upfront presence ones probably do the same as the back, but grabbing from different channels.
This seems like overkill right now. However, if a movie company ACTUALLY mixed everything in 11.2 surround, it would sound amazing. Right now, not so much.