At 3/8/09 09:32 PM, BananaBreadMuffin wrote:
A giant squid just ends up being cheesy and overpompous....
But that's the whole point! In the technical sense, Ozymandias (in the book) says that it needed to be something so over-the-top ridiculous that people had to believe it. In a thematic sense, the squid advances the satire and subversion of classic comic book superhero cliches.
Not only that, but the squid is supposed to be an alien, a completely outside force whose attacking will bring the world together. In that light, the Dr. Manhattan thing that the movie did just doesn't make a lot of sense. He's America's superweapon. Wouldn't everyone ultimately blame the Americans for the destruction, even if some American cities were attacked?
In any event, I thought the movie was an okay enough adaptation, but it could have been so much more. I loved the opening credits, but after that it was a slight downwards trudge of wobbly plot progression, poor directorial choices, and awful acting on the part of Malin Akerman (Silk Spectre). It certainly comes nowhere close to the book's greatness, especially in terms of the final act, which turns a decent movie into a just-this-side-of mediocre one.
Two parts of the new and not-improved ending in particular made me especially furious, but I can't really fault Zack Snyder for them since I feel like these were almost definitely caused by studio intervention. Firstly, why do we never see the destruction of the Dr. Manhattan bomb-things? In the book, we got a jaw-dropping, heartrending six whole pages of bloody messes of corpses (some of characters that we've gotten to know) and indiscriminate horror. In the movie, we see a few people get vaporized and a big crater. It completely sucks the impact out of the moment. It's just another special effect in a movie chock-full of them instead of the emotional high point of the film.
Secondly, the thing that pissed me off even more, was the way they had Nite Owl completely uncharacteristically beat up Ozymandias after Rorschach's death, something that didn't happen in the book at all. I can imagine the conversation in the studio's boardroom:
"What? What do you mean the bad guy gets away with it without any consequences? No no, moviegoers are much too stupid and simplistic to go for something like that, we better at least rough him up somewhat. We have to punish him a little, otherwise the audience might get confused and think that there are moral shades of gray in this story or some other stupid shit like that."