I'm sorry, I don't believe it. My PC is too shit to watch this video. C:

It doesn't matter. Use a variety of ways, as long as you cna make them. Experimentation is teh key olol

At 12/12/09 12:25 AM, SessileNomad wrote: IRC Down?

audio irc wont load for me, down for you guys?

Haven't been in there for Mooooooooooooonths.

I had weed once. It made me put 50p into a vending machine sideways. :3

Oh, I am a silly one!

At 12/12/09 10:00 AM, DzGuy wrote: I beat you.

Yeah but does it have Scatman John in it?

C:

Splittercore > All of the genre's you posted.

At 12/10/09 04:40 AM, CloudEater wrote: Has anyone noticed how the light is coming from on the ground somewhere which means there's probably just some guy who bought a really good projector then decided to prank everybody.

Yes, because thats what it was. I mean, we all have really powerful projectors that the whole of the north of the country can see.

But his name is Valentino. I prefer Valentino Scissorhands. It sounds less generic.

Oh wait, here's the article Guy invents some Finger scissors things.

Centra - Mentality WIP, by AlexCo Type: SongGenre: Drum N Bass

BRAP again.

Beatport, but you need a manager and shit to contact them and go through lots and stuff.

At 11/28/09 03:10 PM, 15thDimension wrote: How can I add a pedal effect to piano, say, fl keys, similar to that of a real sustain pedal? I can add reverb, but would I need to automate it to stop and start every measure?

Either on the reverb knob, right click and choose create automation clip, or tweak the reverb knob, go to the top left menu on FL Keys and choose browse parameters. If you tweak the reverb, it'll find the reverb parameter. Right click it, choose create automation clip and play with that. You can use edit events, its just upto your preference.

OR you can play with the release and sustain knobs till you get what you want.

Its to do with sample rate.

Most tracks these days are 16 bit 44.1 kHz because its what CD's read.

Back in the day before CDs, there was probably little hardware which read off 16 bit (I think, Im not educated about old stuff).

The higher the bit rate, the more complex the sounds are going to be, since theres more information in 16 bit than 8 bit.

THIS MEANS THAT 8 bit sounds like chiptune because the hardware from back in the day wont be able to read high quality sounds, and if it could it would be super compressed and distorted.

Thin jeans, which when pulled to my arse are baggy, is what I meant.

:3

Dark, baggy jeans down to my bum cheeks and shirts that fit my frame, and tight hoodies, or zipped hoodies with my sleeves always rolled up. :3

I wear branded stuff like Bench, but I like to get cheap stuff from Primark too. ;D

At 11/27/09 02:26 PM, JackRocker wrote: is it good for vocals, or just for instruments?

Depends. Looks like a condenser to me, so probably percussive and softer instruments, and vocals, as long as its not screamo.

At 11/22/09 07:52 AM, hewG wrote: I use the vst plugin izotope ozone, its quite easy to use and really makes your mixes sound professional.

Yeah, but you might want to export the whole track into your DAW again, then add more than just Izotope.

But Izotope has a nice analyzer so, yeah.

I wont worry too much about mastering yet though, takes years of practice, but the easiest thing to do is to slap and EQ onto your master on the export and use your ears and a piece of music the same genre and compare.

I've never bothered with Burger King, its always been dead. McDonalds and KFC FTW.

At 11/14/09 09:29 AM, Gatsumono wrote: OP... Dude... What are you on and where did you get it...

Says you, with your Picture all stoned. :3

I've hear dof it, I dont know the name, just get the guy to check it out with the Doctor. It sounds like an STD or a major infection.

What mic are you using?

You need a dynamic mic for recording electric guitar since you can damage a condenser's diaphragm.

At 11/11/09 11:19 AM, Tramps wrote: I teabagged another.

Fairly good day.

Justice. It has been served.

Maybe you should change your sig. ;D

At 11/11/09 11:58 AM, AlexCo wrote: Nerd, Ex-BMXer, Skater, DJ, Drum n Bass Producer.

(:

Ex-Skater*

Nerd, Ex-BMXer, Skater, DJ, Drum n Bass Producer.

(:

http://www.google.com/webhp?hl=en#hl=en&
q=so+i+went+for+a+twiddle+with+a+fiddle+
and+a+splat+with+my+fast+shoe+shine+and+
a+silly+bear+who+detested+the+site+of+th ose+eyes+who+then+shouted+blah+and+yada+
twitch+266+qbert&aq=f&aqi=&oq=&fp=7c453a 355aa93aea

Hai, it took 5 minutes.

Ellis is awesome. :D

Nick's got no personality and Rochelle team kills. Coach is also cool.

You still get bootlegs which are illegal sold, but no-one gives one and buys them, so you can't do much about them.

It happens in every genre. EVERY GENRE. :O

At 11/9/09 05:08 PM, nathanallenpinard wrote: B-Complex is pretty awesome. He plays on bassdrive.com quite a bit. He has unique textures that make DnB not so boring.

http://www.myspace.com/bcomplexdnb

Jeez man, get around. Every DnB artist has Unique textures, every track is different. Listen to some Skullstep, Techstep, Neurofunk, Darkstep and Liquid and compare them, till you say that, that one artist out of thousands is the only unique one that doesn't make DnB boring.

*facepalm*

IMPLEX, ERROR, ENGANGE, ENEI, B-COMPLEX, BREAK, AUDIO, centra, VICOUS CIRCLE, RECEPTOR, PHACE, PARA, CALYX, TEEBEE, GRIDLOK.

brap I can think of more.

APEX, LONDON ELEKTRIK, THE QEMISTS, THE UPBEATS, LOGISTICS, HIGH CONTRAST.

ED RUSH AND OPTICAL

Oh theres so many.